From the archives of Nostalgia on Wheels comes this lil’ peek at Barred Outlaw Motorcycle magazine– a biker exploitation rag written not for riders, but for voyeurs looking for what makes those bad boys tick. Think of it as a primer for squares on bikers. There’s just enough laughable, inaccurate and hyperbolic writing that when they do actually mention the true 1%’er MC’s it kinda lacks any sting. Hell, they can’t even get the year right for when The Wild One (the Godfather of all biker exploitation flicks) was filmed… ca. 1960??? What I do love about the magazine is the use of images, the layouts, fonts, etc. It is pure gold for the design-minded among us. It’s kinda refreshing compared to all the stripped-down aesthetic out there right now.
BARRED OUTLAW MOTORCYCLE SPECIAL– ANGELS FROM HELL! Today’s rebels on wheels, living a legend of violence and excitement. Their love is hate…for everything and everyone– but each other!
My last post on Evel Kneivel really got me thinking about motorcycles and their impact on American fashion and culture. There is no better example than the Schott Perfecto 618. First introduced in 1928– and still made here in the U.S.A.–it is the original motorcycle jacket and still considered the gold standard to which all others are compared. The now classic double riders zip-front design was prized by bikers not just for it’s tough looks- when fully zipped it kept the wind and chill out.
Marlon Brando as Johnny, leader of the Black Rebel Motorcycle Club in The Wild One.
The Perfecto took on cult status thanks to 1953’s The Wild One starring Marlon Brando. It soon became a symbol of rebellion and was widely banned from schools during the 1950s. The vintage Perfectos (and a lot of the motorcycle jackets back then) were made of thick horsehide– durable as all hell, but they took some breaking in. If you’re lucky enough to find a vintage Perfecto, snatch it up- they are rare and highly coveted.
Link to Schott Perfecto