Pendine Sands Hot Rod Races | 120 Film Photography by Jungle Pat

 

TSY THE SELVEDGE YARD PENDINE SANDS HOT ROD RACES JUNGLE PAT 2

“With caffeine levels topped up for the five hour journey to south wales, I was finally going to experience the buzz that surrounds the VHRA Pendine Sands Hot Rod Races.Stepping back in time doesn’t quite do it justice. It’s one of those events that people can’t stop talking about, and they assure others that haven’t been that they need to make the pilgrimage. Everyone congregates on the hill waiting for the tide to go out before the racing can begin– and when it did the two hundred strong fleet of rods seemed endless making their way to the pits on the historic beach.

TSY THE SELVEDGE YARD PENDINE SANDS HOT ROD JUNGLE PAT 2

With the sun bursting through the few clouds in the sky, it was as if our brothers across the pond at the east coast The Race Of Gentleman in Wildwood NJ, had sent some sunshine to the U.K. as rods and customs were kicking up sand on both sides of the Atlantic.

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THE NYC DISTINGUISHED GENTLEMAN’S RIDE

A DARK DAY FOR NEW YORK CITY | Story Chris Logsdon | Photographer Jason Goodrich

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2014 NYC Distinguished Gentleman’s Ride | Photo by Jason Goodrich @thejasongoodrich

A quiet Sunday morning on Greenwich Street in New York’s West Village is rudely awakened by the roaring sounds of the two-wheeled kind. It’s another sunny September day in 2013 as a large group of enthusiasts, dressed to the nines, don their motorcycles and set out to raise awareness for men’s prostate cancer. This is the Distinguished Gentleman’s Ride.

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HORST A. FRIEDRICHS’ DENIM STYLE | THE BRITISH DENIMHEAD’S PHOTOGRAPHY BIBLE

Participant at the 1st Annual Pendine Sands Hot Rod Races wearing Lee jeans

Denim Style — Participant at the 1st Annual Pendine Sands Hot Rod Races wearing Lee jeans. Photography © Horst Friedrichs 

Horst A. Friedrichs’ thoughtful photographic curation of British style continues with his latest release Denim Style. The foreword written by Kelly Dawson, co-founder of Dawson Denim, traces the origin of denim (one of the world’s most honest, durable, and coveted fabrics) back over a thousand years ago to the dye houses of Japan, where the art of Aizome (dyeing with the fermented leaves of the indigo plant) began. The Japanese later learned to grow cotton and began weaving by hand. From there she traces the lineage of denim across France, Italy, and Britain. We so often think of denim as the quintessential American fabric, which for us it is, but many countries and cultures shared in the evolution and passion that gave us the fabric that has touched all of our lives. I mean really, who doesn’t have a favorite pair of jeans?

Leave a comment here about your favorite pair of jeans and I’ll select one submission that will receive a copy of Denim Style signed by Horst A. Friedrichs himself.

horst friedrichs denim style book cover

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THE ITALIAN PRINCE OF PRINTS | RENAISSANCE MAN EMILIO PUCCI

Emilio Pucci is a name synonymous with incredibly chic prints that rocked runways, movie stars, and rich socialites alike during the ’60s & ’70s. (Sophia Loren and Jackie Onassis were among the many fashionable tastemakers to follow him — and Marilyn Monroe was even buried in a Puci dress.) His look was so signature in its modern, graphic designs and rich colorations that you could literally spot a Pucci a mile away. Emilio Pucci’s look became iconic, and lives on as an ever-present influence in womenswear today.

His design talent notwithstanding– I’ve always found Pucci’s personal story even more colorful than his designs. Born with noble blood, the young Pucci enjoyed a life of academic excellence (earning his Master’s degree Social Science from Reed College in Oregon, along with his Doctorate in Political Science from the University of Milan), civil service (Pucci rose to the ranks of Captain and served as a torpedo bomber pilot in the Italian Army during WWII, he even befriended Mussolini’s daughter and aided her escape from Hitler’s vengeful grasp), and was an accomplished athlete who was on Italy’s Olympic Ski team. It was his love of skiing that first led him to design outfits for his team at Reed college. In 1948, while on a trip to Switzerland, Pucci’s striking ski designs this time caught the eye of a Harper’s Bazaar photographer, and set his career as a fashion designer in motion. Stanley Marcus was an early supporter of Pucci’s and was instrumental in establishing him in the US. The rest, as they say, is history.

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1959, Florence, Italy — The legendary fashion designer, Emilio Pucci, with examples of his work. — Image by © David Lees/Corbis

1959, Capri, Italy  — The Florentine fashion designer, Emilio Pucci, lunching with his wife Christina. Pucci once had the guitarist who is serenading them flown to London to lend authentic Italian atmosphere to a show. I love this picture. — Image by © David Lees/Corbis

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STYLE FROM THE CITY OF ANGELS | THE PHOTOGRAPHY OF SCOTT POMMIER

Scott Pommier is someone I really dig as an artist– and for just being a cool, unassuming guy.  His sense of humor is understated and dry, true to Canadian form– yet there’s an intensity to him when he shoots where you just stand back and watch a master in his element do his thang with laser-like focus.

Pommier shoots a lot of bike related images that he’s become especially known for (Scott himself has three H-D’s), but the guy is also one badass fashion photographer.

Case in point–

Photograph by © Scott Pommier

Photograph by © Scott Pommier

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THE GQ 2011 BEST NEW MENSWEAR DESIGNERS IN AMERICA NOMINEES

This came across my desk late last week, and I was delightfully surprised to see that good friend and comrade, Doug Conklyn of Dockers, will be on the esteemed panel of judges. Nice. Doug and I worked together at Polo Ralph Lauren, Hartmarx, and Lilly Pulitzer— he’s easily one of the coolest and tastiest guys I know.

GQ magazine has announced the six finalists for the 2011 Best New Menswear Designers in America competition — their initiative to get behind the home team, and keep American designers strong. Also — each of the finalists will contribute designs to a special collection for Dockers that will be be released this Fall.

The nominated designers are–


Warriors of Radness designer Rick Klotz – Pure, Adrenaline-fueled ’80’s surf / New Wave radness. 

Patrik ErvellDefinitely the most modern designer of the bunch, don’t look for Patrik Ervell to wave the “old-timey” Americana flag, as his mind is clearly on what’s next, not what was.

Riviera Club designers Joe Sadler, Derek Buse, and Greg Ullery – California’s answer to East Coast prep, with a healthy infusion of laid-back West Coast vibe.  

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HOW TO CLASH ART, MUSIC & STYLE | TSY STYLE HALL OF FAME ROCKER PAUL SIMONON

“Clothes were where my aesthetic instincts came out then. They helped make the group accessible.”

–Paul Simonon

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Back in 1976, it was the wily manager, Bernie Rhodes, who instructed Mick Jones to recruit Paul Simonon into the group that would soon become The Clash, simply because he looked the part. “I was a bit Bowie, a bit suedehead back then,” says Simonon. “And, more importantly, I was at art college. Mick liked that. He was always big on pop history. He knew all about Stuart Sutcliffe, who was Lennon’s best mate in the early days of the Beatles, and a proper artist. I remember Mick introducing me to all his mates– ‘This is my new bass guitarist, Paul. He can’t play but he’s a painter.'”

The rest, as they say, is rock’n’roll history. Together, at Rhodes’s urging, they recruited Joe Strummer to the cause, and the Clash became the coolest punk group on the planet.  When the London punk scene began, Simonon was a fledgling painter, fresh from Byam Shaw art college which, back then, was just up the road in Notting Hill. In the spirit of the times, he  drip-painted his bass guitar in the style of Jackson Pollock and learned how to play by writing out the chords and sticking them on to the instrument’s neck. His reggae-influenced bass playing soon became integral to the group’s sound.

Simonon’s traditionalist approach to painting is surprising given that, within the often volatile creative dynamic of the Clash, he was the conceptualist, the one who paid most attention to the visuals, the image. He painted the backdrop to the Clash’s rehearsal studio, and designed some of the later stage sets, including the dive-bombing Stukas that echoed their often explosive performances. You could tell the Clash were art-school punks from the start, what with those shirts stencilled with slogans and that paint-splashed bass guitar.

“That was the art student in me trying to find a look that would make us stand apart from the Sex Pistols,” he says, laughing. “The Buzzcocks were very Mondrian, and we were Pollock. As a painter, though, I’m essentially old-fashioned. Conceptualism just doesn’t do it for me. I love Walter Sickert, Samuel Palmer, Rubens and Constable. That’s just the way I am. I love putting paint on canvas, getting lost in the process of painting.”

–Sean O’Hagan

The Clash, 1982– Joe Strummer, Terry Chimes, Mick Jones & Paul Simonon.  –photo by Bob Gruen

The Clash, 1982– Joe Strummer, Terry Chimes, Mick Jones and Paul Simonon.  –photo by Bob Gruen

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1950’s BRIONI ROMAN STYLE TAKES TINSELTOWN | SACKING IVY STYLE

Tailor Nazareno Fonticoli & socialite Gaetano Savini founded one of Italy’s most iconic fashion brands in Rome, 1945.  The pair wanted a name that would evoke both the ultimate in luxury, as well as being short and memorable for the American, fashion-forward men they were targeting. They chose “Brioni” — a small island off the coast of Croatia (once owned by Italy), that was playground to the rich and famous.

Fonticoli’s sartorial skill and Savini’s social networking prowess proved to be a potent one-two punch that rocked the boxy Ivy League sack suit, and stuffy Savile Row, back on their heels.  Their reputation and legend grew strictly by word of mouth, as Hollywood’s biggest stars (Gary Cooper, Cary Grant, Henry Fonda, and John Wayne to name just a few) became faithful customers and highly visible spokesmen for Brioni– a brand that would not see the need or desire to advertise in the traditional sense until some 40+ years later.

Along the way, they set the gold standard by preserving and innovating the art of fine Italian tailoring. In 1978, Brioni opened what is now one of Italy’s most highly regarded tailoring schools– offering a four-year program that not only keeps Brioni’s own talent teeming, but also the world’s best fashion houses and clothiers.  Bravo!



Brioni Roman Style S.p.A. co-founder, Gaetano Savini with handsome Hollywood icon, John Wayne.

In 1960, the young tailor from Abruzzo and the entrepreneur from Umbria made their mark as the world’s ambassadors of Italian Sartorial excellence.  Brioni melded ancient sartorial principles with modern industrial organization, thus staying ahead of evolving fashion trends and technology. via

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BEFORE ELVIS THERE WAS NOTHING.

Saying that Elvis is an icon doesn’t quite cut it. There’s really never been anyone else who’s come along since that could fill his mammoth shoes in terms of talent, looks, style, presence and star power– and likely never will be. Don’t even think the words “Michael Jackson,” no way. Not. Even. Close. Jackson took a lot of style cues from Elvis, from his trim black pants, white socks, and black loafers– and obviously his slick dance moves were a tribute to the King’s infamous gyrations first unleashed back in ’56 on “The Milton Berle Show” and “The Ed Sullivan Show.” Those infamous performances (for which he was paid handsomely for, and drew ratings that were off the charts) instantly made him public enemy #1 with parents (who feared the effect that his racy “colored” music would have on their kids) as well as self-appointed decency censors and morality police across the nation.

Looking back on these epic Images of “The King of Rock & Roll”– it’s easy to see what all the fuss was about. Electrifying music, intense energy & sexuality– complete with bad boy sneer & stellar style. Elvis created a bold & sexy Rock Star image unrivaled by anyone– back when the fashion landscape was sterile and buttoned-up. And he did it all through sheer originality, determination and attitude.  The signature slick-backed hair was died so black– it actually had a blue tint.  The clothes went from fierce, flashy Rockabilly Badass to uber-Vegas Lizard King– yet through it all he was and still is, the one and only “King of Rock & Roll”– warts and all.

photo by the multi-talented Kate McQueen

“I happened to come along in the music business when there was no trend. “


The hair, the eyes, the sneer, the pelvis… Elvis

Memphis, 1956– Elvis Presley outside Jim’s Barber Shop on South Main Street. Looks like he’s gettin’ a ticket and funnin’ with the cop as only Elvis could.

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