In 1949, Bettie Page moved to New York with aspirations of becoming an actress. It was there she met one of America’s first ‘fetish’ photographers, Irving Klaw. From 1952 to 1957, Page worked as a model for Klaw for both his photographs and films, earning her the media nickname, “The Queen of Bondage.”
“The 1991 Martin Scorsese-directed thriller Cape Fear may seem an unlikely candidate for documenting the use and influence of the King James Bible, But its central character, Max Cady, as played by Robert De Niro, wielded biblical verses like weapons.”
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The Munsters~ Lily (Yvonne de Carlo), Herman (Fred Gwynne, Eddie (Butch Patrick), Marilyn (Beverly Owen), Grandpa (Al Lewis), 1964. Though the show only ran from 1964-66, it’s still a TV classic.
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“That was outside of Shellow’s Luncheonette. I lined them up against this white wall, and everybody was just cracking up at that time. Bruce was telling some jokes, Steven Van Zandt was rolling his eyes, and every time Steven was rolling his eyes, Bruce would crack up. It was a spontaneous and contagious laugh fest that was going on. We could not keep straight…
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“I had the pleasure of building the entire machine myself. Doug Kinney sanded it and helped paint it, but the entire concept here was to build a machine for parades and stuff. At the first parade I threw candy from the rear trailer to the kids in the crowd, and it spooked the horses in the parade (kids chasin’ candy) I never did that again! Newton was responsible for the sketches of the ‘Candy Wagon’ after the machine was built. I drove this machine to many bike runs in and around California and it was an exceptional Harley trike motorcycle and very dependable!” ~Ed Roth
TSY is Pennsylvania-based and thus very proud to present a brand new series of posts– PA MAKERS written and photographed by Raymond C Schwab IV. We are grateful Ray is kind enough to share these with us.
Picture this: A bike shop burns to the ground in Philadelphia. There’s a fire sale a couple days later. There you see a burnt up 1951 BSA Star Twin motor up for grabs and you think “There’s my land speed racing motor!”
“When Push Comes to Shove” black & gold custom chopper built for Brad Pitt by Indian Larry Legacy (Paul Cox & Keino Sasaki), paint by Vince Szarek, and amazingly intricate engraving work by Tarrera.
“I try to carve out time for a solo ride in every country I travel to, from the Highlands of Scotland to the Atlas Mountains of Morocco to the belly of India. I haven’t even come close to fulfilling my list—yet. . . . But in the traffic of L.A. with a helmet on, I’m just another asshole on the road.” –Brad Pitt (Photograph by Mark Seliger for DETAILS magazine at Humboldt Redwoods State Park to promote the film Fury, 2014.) VIA
Alice Denham — writer, Playboy centerfold, film actress who left a vivid chronicle of her literary and sexual adventures in her 2006 memoir, “Sleeping With Bad Boys: A Juicy Tell-All of Literary New York in the Fifties and Sixties.”
“Manhattan was a river of men flowing past my door, and when I was thirsty, I drank.”
Ms. Denham came to New York in the early 1950s, fresh from the University of Rochester, with two things on her mind: literary fame and romance. The city held forth the promise of both, in abundance. “New York in the fifties was like Paris in the twenties.”
A stunning beauty with a talent for repartee, she made her way easily into Manhattan’s literary salons, and her presence did not pass unnoticed by a long list of editors, publishers, film producers, actors and writers — most of whom made a play for her, quite a few successfully.
Her conquests, she said, included the actor James Dean, a close friend until he fell hard for the Italian actress Pier Angeli; the authors James Jones, William Gaddis, Evan S. Connell and Philip Roth; and Hugh Hefner, whom she had persuaded, in a clever gambit, to feature her as a centerfold and reprint, as part of the package, her first published short story.
“Of course he was no egalitarian,” Ms. Denham wrote. “But he possessed one of the finer male characteristics I was aware of: He liked my writing.”
Sushi ~ The Race of Gentlemen, 2017. Photograph by Sean Madden
Armed with a leaky old 35mm camera, and an iron clad determination to capture as many of the “Faces behind the Races” of TROG 2017— Sean Madden surely delivered the goods! Sean was snapping at a furious pace and wasn’t able to get everyone’s name – so help us out by sharing this post and/or leaving a comment if you see someone you know!
The Selvedge Yard 