“For me to survive, me have to find something for myself and it was like a spiritual vibration, so me said– me going to make spiritual music.  This spiritual music coming– they call it Reggae.”

–Lee “Scratch” Perry 

Reggae and Dub master, Lee “Scratch” Perry is often overshadowed by the Reggae giants that followed in his footsteps– namely Bob Marley.  Not that Marley doesn’t deserve praise– Perry is just long overdue, and grossly under-acknowledged.  Growing up in rural Jamaica, he later moved to Kingston and worked his way up from music studio janitor to songwriter and producer. Perry’s debut single “People Funny Boy” was one of the first recordings to sample– the sound of a baby crying.  In fact, what “Scratch” Perry was able to lay down on old, broken-down, low-tech equipment is nothing short of genius.  Perry’s crazy garb and outlandish, eccentric behavior have oft played perfectly to his reputation for being crazy– but many believe (and by his own admission) it was more a ploy to shield himself from the brutality of Jamaica’s badasses.

Now, to coincide with Lee “Scratch” Perry’s 75th birthday, there’s the release of the new album Rise Again, and documentary film called The Upsetter (narrated by Academy Award Winner Benico Del Toro)which chronicle’s Perry’s epic songwriting and producing career– highlighting his pioneering recording techniques, and ground-breaking (and still influential) contributions to reggae and dub music.


Reggae / Dub master Lee “Scratch” Perry at his Black Ark studio in Jamaica

Lee “Scratch” Perry

Jamaica, 1976 — Lee “Scratch” Perry (and The Heptones) — Image by © Kate Simon  via

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