February 6, 2011 by JP - 3 Comments

CHUCK NOLL AND THE STEEL CURTAIN | FANS’ REACTION: “WHO’S JOE GREENE?”

In a move that would forever change the Pittsburgh Steelers, and create the cornerstone for their legendary “Steel Curtain,” a little-known defensive big man named Joe Greene from North Texas State was drafted in the first round. The silence was deafening.

Fans’ Reaction: “Who’s Joe Greene?” — headline from The Pittsburgh Press, January 28th, 1969.

The day before, 37 yr old Chuck Noll, was brought in as Head Coach to brutally retool what was considered to be the worst team in all of the NFL– Yep. The Pittsburgh Steelers.

Feb 10th, 1982, Pittsburgh, PA — Steelers’ defensive tackle Joe Greene displays his number 75 jersey after announcing his retirement. Greene was the foundation (and many argue, the Steelers’ greatest and most valuable player) used by coach Chuck Noll to build four Super Bowl Championship teams.

“Back in the ’60s, the Steelers were– pretty bad. We just could not consistently win games. We would lose games by the most bizarre circumstances– we’d find a way to lose every time. So, it was quite a frustrating experience — and a remarkable change — when Chuck Noll came.

He called me in on the off-season. I’d made my first Pro Lowl in ’68, prior to him coming, and I thought, “Oh, he’s calling me in to congratulate me.” So I went in to see him. We shook hands, but he wasn’t overly friendly. He looks right at me and says–

‘You know, Russell, I’ve been watching the game films since I’ve taken over the job here– and I don’t like how you play. You’re too aggressive… You’re too out of control… You’re trying to be the hero… You’re trying to make big plays. I’m going to change the way you play. I’ll make you a better player than you are right now– because you’re not disciplined enough.’

I was just stunned!” ” —Defensive Captain, Andy Russell (with the Steelers since ’63) on his first meeting with new Head Coach Chuck Noll

1972 — Pittsburgh Steelers’ coach Chuck Noll beams after Franco Harris scored the winning touchdown against Oakland to win 13 to 7. On the play, Steelers’ Terry Bradshaw passed to Frenchie Faqua. Faqua and Oakland Raider Jack Tatum collided and the ball bounced to Franco Harris. Tatum denied he touched the ball but the official ruled he did.

“When we got to our first training camp, Chuck Noll’s first speech to the team goes–

‘Look, I’ve been watching the game films since I took the job. And I can tell you guys that the reason you’ve been losing is not because of your attitude, or your psyche, or of that ‘STUFF.’ The problem is– you’re just not good enough. You know, you can’t run fast enough, you can’t jump high enough, you’re not quick enough. You’re techniques are just abysmal. I’m probably going to have to get rid of most of you– and we’re going to move on.’

And you know– five of us made it from that room to our first Super Bowl following the ’74 season.”

–The Steelers’ Andy Russell

1975, Miami, FL — Members of the Super Bowl champion Pittsburgh Steelers pose for pictures as the AFC pros opened training. (L to R) Franco Harris, Andy Russell, L.C. Greenwood, Jack Ham, Roy Gerela, and Joe Greene relaxing on the sod.

Joe Greene had been holding out on the Steelers for 2 to 3 weeks. The day he signed the contract and joined the team, he was escorted down to the practice field for the Steelers’ “Oklahoma drills.” There he was met by the Steelers’ offensive linemen who were looking to break the greenhorn in.

“Immediately we did a one-on-one blocking drill. Ray Mansfield picked him to go first, because he wanted to show Joe Greene that he was better, and pull a– “we’ll show the young rookie.” Joe destroyed Ray Mansfield, our center for so many years, and we were like, ‘whoa– this guy can play!'” recalled Andy Russell.

It was obvious to his teammates (and soon the entire NFL) that “Mean Joe” Greene was an unstoppable force– the likes of which had never been seen before. His skill, strength, intensity, and determination to win were unrivaled– and gave the Steelers franchise the badly needed backbone it had been lacking for some forty years. Even with his excessive roughness on the field and multiple ejections, he deservedly won the NFL honor of Rookie of the Year.

“Mean Joe” Greene’s teammates would feed off of his intensity, and raise their play to new levels– sending a message heard loud and clear, that the Steelers were here to win it, and would not back down to anyone. Greene was always looking for a demonstrative way to make this point. The bigger the foe, the better. Not even the NFL’s reigning badass, Dick Butkus, was shown any respect. Greene once spit in his face– in front of what must have felt like the entire world to Butkus. Dick did the only thing he could– tuck his tail and walk away.

Joe Greene would go on to play in 10 Pro Bowls, and lead the Steelers to 4 Super Bowl championships, in a career that defined him as Pittsburgh’s most valuable player of all time.

“Joe Greene would come into the huddle sometimes and say, ‘I’m taking the ball away this play.’ I’ve never in my entire career seen an athlete be able to do that. He was actually unblockable in those early years.” –teammate Andy Russell

Oct. 5th, 1975 — Pittsburgh Steelers’ defensive tackle Mean Joe Greene kicks Cleveland Browns’ guard Bob McKay in the groin as the Steelers stomped the Browns, 42-6. AP photo via

Pittsburgh Steelers’ quarterback Terry Bradshaw is attended to by medical staff after being slammed to the turf by Cleveland Browns’ defensive lineman Joe “Turkey” Jones. — PD historical photo. “The teams didn’t like each other, and they played hard. There were a lot of vicious hits and dirty plays– on both sides. There was the 1976 game in Cleveland where Joe “Turkey” Jones grabbed Steelers’ quarterback Terry Bradshaw and plunged him helmet-first into the turf. Jones received a personal foul penalty and was fined $3,000. Bradshaw suffered a concussion. Browns fans still talk about that play.” via

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1972 — Pittsburgh Steelers’ running back Franco Harris is mobed by fans at Three Rivers Stadium after scoring the winning touchdown, nicknamed the “Immaculate Reception,” during the American Football Conference (AFC) semi-final game against Oakland. Harris made the touchdown, one of the most famous single plays in the history of professional American football, on a tipped pass from quarterback Terry Bradshaw to Frenchy Fuqua to Harris for the score in the fourth quarter in Pittsburgh.

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Dec 23rd, 1972, Pittsburgh, PA — With 22 seconds left in the Steeler-Raider playoff game, Steelers’ quarterback Terry Bradshaw threw a 4th down desperation pass intended for John “Frenchy” Fuqua. When the ball was deflected by Raider Jack Tatum it traveled 7 yards into the arms of Franco Harris who ran 42 yards for the winning TD. “I learned early at Penn State to always be around the ball, be around the action,” admitted Harris. “Maybe there will be a fumble. Maybe I’ll throw a block. Because of that attitude the play happened.”

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1972, Palm Springs, CA — Frank Sinatra was made a one star general in Franco Harris’ one-man army as he watched the Pittsburgh Steelers workout for their big game against the San Diego Chargers in San Diego. Franco, the Steelers’ one man army and leading ground gainer, is pleased at having Sinatra in his army.

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Terry Bradshaw, top draft choice of the Pittsburgh Steelers, poses with coach Chuck Noll at a news conference in Pittsburgh, Pa., Feb. 13, 1970. The Louisiana Tech quarterback is in Pittsburgh to discuss salary terms with the club. (AP Photo/Harry Cabluck)

The following is reprinted from “The Ones Who Hit the Hardest” by Chad Millman and Shawn Coyne–

It wasn’t just that Terry Bradshaw liked going to church while his teammates liked going to bars. It was the game. College football was Bradshaw’s domain; pro football was Chuck Noll’s. It was the difference between checkers and chess. Bradshaw had never studied film before. In high school and college, if his first receiver wasn’t open, he tucked the ball and ran. He didn’t know how to read defensive coverages at the line of scrimmage. He underestimated the speed of the game, the intensity, how hard opponents were going to hit and how high a standard his coaches were going to hold him to. He was, in every way, overmatched. And no one had any sympathy.

Cleveland, Ohio, 1971 — From the sidelines Pittsburgh quarterback Terry Bradshaw and coach Chuck Noll watch the defensive unit against Cleveland.

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In his very first game, against the Oilers, Bradshaw completed just four of sixteen passes with an interception and was pulled from the game to a chorus of 75,000 boos. This is where a new Chuck Noll emerged. The calm teacher who preached technique, the master manipulator who looked the other way when Joe Greene attacked opponents with scissors, handled Bradshaw like he was an abusive father. He grabbed his quarterback’s facemask, his jersey and unloaded obscenities that would make the bluest of comics cringe. The anger shot from his knuckles through Bradshaw’s pads. “I couldn’t believe how cruel Chuck was,” Bradshaw once said. “You would think someone as smart as Chuck was would be a better psychologist, but he beat me down. I totally lost my confidence. I was the kind of guy who needed a pat on the back–shouting at me only made things worse.”

So did the fact that, on his first play from scrimmage in place of Bradshaw, local hero Terry Hanratty threw a touchdown. After the game, Bradshaw sat in his car in the Three Rivers parking lot and cried.

Aug 1974, Latrobe, PA — Quarterback Terry Bradshaw said if striking Pittsburgh Steeler veterans can’t respect his decision to enter camp, “then maybe I can’t respect them.” Bradshaw, 25, the Steelers’ regular quarterback this past three years, walked into the club’s St. Vincent College training camp and worked out.

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The Steelers lost their first three games that season, with Noll shuffling his quarterbacks practically every quarter. It got so bad for Bradshaw that his mom came to stay with him. One night he took her to a hockey game and fans in the stands started booing the both of them. Another time, before a game, he was standing outside the doorway of the locker room talking to Art Rooney Sr., within the eyesight of Noll. The owner was telling his young quarterback to keep his confidence, that everything would be all right, with Bradshaw’s blond locks bobbing up and down in agreement. When the conversation ended and Bradshaw walked into the locker room five minutes late, Noll, who had seen the conversation between rookie and owner taking place, fined him.

April 1970, Washington, DC — President Nixon compares hands with All-American quarterback Terry Bradshaw, of Louisiana Tech, when the latter called at the White House with a group from the school. Bradshaw was the number one draft choice of the Pittsburgh Steelers.

It didn’t help with fans that he was burly for a quarterback. His blonde hair was thinning and unruly and his face lacked the kind of angles Madison Avenue likes in its football idols. He had a funny Louisiana accent that, to those in the North, made him sound simple. He preferred spending time on his farm with his parents to drinking at the Jamestown Inn in Pittsburgh’s South Hills with his teammates. He wore buckskin coats with fringe hanging from the sleeves. “I was an outsider who didn’t mingle well,” Bradshaw once told Sports Illustrated. “No one liked to fish or do the things I liked to do. The other players looked upon me as a bible-toting Li’l Abner.”

1980 — Show business for Steeler quarterback Terry Bradshaw gets a big yawn as he does an interview with Jimmy ‘The Greek’ Snyder prior to the Eagles-Cowboys game. Bradshaw has been linked to a show business deal that may require that he quit the Steelers.

1970 — Pittsburgh Steelers quarterback Terry Bradshaw. — Image © Bettmann/Corbis

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1970 — Pittsburgh Steelers defensive tackle Mean Joe Greene.

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June 23, 2010 by JP - 27 Comments

TRUMAN CAPOTE’S ICONIC & BITCHY BLACK AND WHITE BALL OF 1966

When Capote threw a party at the Plaza for the release of his epic “In Cold Blood”, the biggest stars came calling. But little did they know that it would be Capote’s coup de grace, as he masked the world’s most important faces, in a calculated move that controlled the elites of politics, power and prestige. It was the night Capote made 500 friends, and 15,000 enemies.

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Arguably, one can say that “Breakfast at Tiffany’s” catapulted Truman Capote’s stardom to a level that very few writers ever reach. It was a work so special, with a style of prose so signature, it would stir literary heavyweight Norman Mailer to openly praise Capote as “the most perfect writer of my generation.” Capote himself would later say that Breakfast at Tiffany’s was the turning point in his career. Still Capote knew he could go further, professing– “But I’m nowhere near reaching what I want to do, where I want to go. Presumably this new book is as close as I’m going to get, at least strategically.”

This “new book” Capote was referring to was “In Cold Blood”, and it would do more than enough to get him where he wanted to go. Upon its release in 1965, “In Cold Blood” created a wave of acclaim and controversy that would carry Capote for years to come, and make him one of America’s most talked about writers ever. And a work of art this important deserved a grand celebration that was equally epic.

So in 1966, Capote decided to host a party that would be his “great, big, all-time spectacular present” to himself. Some might even say that the 1966 Masked Black and White Ball was truly one of his greatest works ever.

Truman Capote arrives at the Plaza Hotel holding hands with Mrs. Katherine Graham, the guest of honor. Mrs. Graham was the president of the Washington Post and Newsweek Magazine. — Image by © Bettmann/CORBIS

No stranger to celebrity, Capote was already a fixture in New York City’s elite social circles, and knew very well how to play the game. A masterful manipulator of self-promotion, he knew that this was much more than just a celebration—it had the potential to be a major publicity opportunity for “In Cold Blood”, and the ultimate act of self-aggrandizement.

The task before Capote now was no easy one. How could he devise the perfect, titillating, gimmick for the party he planned to hold for himself? One that would create a spectacle like none ever seen before, that would hold both the media and fans breathless? Well, the answer was pure genius.

Candice Bergen holding her white bunny mask at Truman Capote’s epic 1966 Black and White Ball. — Image by © Elliott Erwitt

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December 30, 2009 by JP - 8 Comments

“I DON’T WANT ANYBODY IN HERE WITHOUT COATS AND TIES,” SINATRA SNAPPED.

From the archives of Esquire magazine, featured in their 70th anniversary issue–

In the winter of 1965, writer Gay Talese arrived in Los Angeles with an assignment from Esquire to profile Frank Sinatra. The legendary singer was approaching fifty, under the weather, out of sorts, and unwilling to be interviewed. So Talese remained in L.A., hoping Sinatra might recover and reconsider, and he began talking to many of the people around Sinatra — his friends, his associates, his family, his countless hangers-on — and observing the man himself wherever he could. The result, “Frank Sinatra Has a Cold,” ran in April 1966 and became one of the most celebrated magazine stories ever published, a pioneering example of what came to be called New Journalism — a work of rigorously faithful fact enlivened with the kind of vivid storytelling that had previously been reserved for fiction. The piece conjures a deeply rich portrait of one of the era’s most guarded figures and tells a larger story about entertainment, celebrity, and America itself. Here are a few choice excerpts from the original Esquire story– a link to the epic piece in its entirety, after the jump.

“I‘m for anything that gets you through the night, be it prayer, tranquilizers or a bottle of Jack Daniel.”

–Frank Sinatra

Frank Sinatra, holding a glass of bourbon in one hand and a cigarette in the other, stood in a dark corner of the bar between two attractive but fading blondes who sat waiting for him to say something. But he said nothing; he had been silent during much of the evening, except now in this private club in Beverly Hills he seemed even more distant, staring out through the smoke and semidarkness into a large room beyond the bar where dozens of young couples sat huddled around small tables or twisted in the center of the floor to the clamorous clang of folk-rock music blaring from the stereo. The two blondes knew, as did Sinatra’s four male friends who stood nearby, that it was a bad idea to force conversation upon him when he was in this mood of sullen silence, a mood that had hardly been uncommon during this first week of November, a month before his fiftieth birthday.

Hyannis Port, MA, Circa 1965– Singer Frank Sinatra with then actress girlfriend Mia Farrow on deck of the yacht, Southern Breeze. His look implies “Hit the road, Mac.” –photo by Bill Eppridge for LIFE.

Sinatra had been working in a film that he now disliked, could not wait to finish; he was tired of all the publicity attached to his dating the twenty-year-old Mia Farrow, who was not in sight tonight; he was angry that a CBS television documentary of his life, to be shown in two weeks, was reportedly prying into his privacy, even speculating on his possible friendship with Mafia leaders; he was worried about his starring role in an hour-long NBC show entitled Sinatra — A Man and His Music, which would require that he sing eighteen songs with a voice that at this particular moment, just a few nights before the taping was to begin, was weak and sore and uncertain. Sinatra was ill. He was the victim of an ailment so common that most people would consider it trivial. But when it gets to Sinatra it can plunge him into a state of anguish, deep depression, panic, even rage. Frank Sinatra had a cold.

Dec 26th, 1976, Terrytown, NK — Frank Sinatra is shown in his dressing room at Westchester Premier Theater in Sept. 1976 with (L-R, standing): Gregory DePalma, a defendant in the case; Sinatra; defendant Thomas Marson who was severed from the trial because of poor health; the late Carlo Gambino; and Jimmy (the Weasel) Fratiano. Kneeling in front is defendant Richard Fusco. Others in the picture were hidden under to bolster the testimony of its key witness. — Image by © Bettmann/CORBIS

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October 12, 2009 by JP - 4 Comments

BOB WILLOUGHBY, GREAT AMERICAN PHOTOGRAPHER | JAZZ LEGENDS

Bob Willoughby is a legendary Hollywood photographer whose incredible work includes many now iconic images of Audrey Hepburn, Marilyn Monroe, Elizabeth Taylor, Jane Fonda, and some of Jazz history’s greatest artists. Willoughby’s career started out with him on duty as a commissioned Hollywood studio portraitist– and through his sensitive, perfectionistic eye, he created (some say even invented) the art form of photojournalistic motion picture stills.

How ’bout I just shut my pie-hole now, and let you enjoy these stunning images by great American photographer Bob Willoughby…