FRANCE’S FAIREST EXPORT– FRANCOISE HARDY | IMMORTAL BELOVED STYLE & MUSIC MUSE

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Francoise Hardy on the ‘Grand Prix’ set seen wearing co-star James Garner’s helmet, 1966.

Francoise Hardy was a wistful breath of fresh air during the sex, drugs & rock ‘n’ roll of the 1960s. Mysterious, sweetly naive, and utterly desirable. She was adored by Bob Dylan, Nick Drake, Mick Jagger, David Bowie, and more. The incredible enduring images of Hardy, particularly those by famed photographer Jean-Marie Perier (who shot her donned in Dior, Yves Saint Laurent, Andre Courréges, and Paco Rabanne), made her an instant and timeless style icon. With her faraway gaze and lazy smile, Francoise Hardy is like a melancholy dream that you simply don’t want to wake up from. Her unease with fame and adoration is at times clearly evident in her photos– serving only to make her even more alluring.

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AIR FAST @ REPUBLIC GALLERY | PHOTOGRAPHY OF SCOTT POMMIER

For our friends in France, Do not miss this!

AIR FAST
photography by Scott Pommier

Republic Gallery
38 Rue Notre Dame De Nazareth
75003 Paris

FAST #9 Launch & Opening
March 6th, 6pm (18:00)
Runs March 6-March 13
scottpommier.com

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Scott Pommier is a talented photographer, and no stranger to TSY. We’ve featured the campaign for Moto Guzzi motorcycles, and his epic shots of Max Schaaf, Shinya Kimura, and Stacie B. London. In AIR FAST, Pommier showcases his amazing range, sensitivity and command of the craft. He’s the rare cat that is capable of shifting gears to shoot everything from Harleys to high fashion with enviable ease.

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–Photograph by Scott Pommier

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LONG LIVE THE KINGS | AN ORIGINAL FILM FEATURING BLITZ MOTORCYCLES

Yep. I’m late to the game on this one – but this film is so beautiful and positive that I have to get it out to any of you who may not have had the pleasure of seeing it yet.

“Long Live The Kings” is an original short documentary by Frenchmen Clement Beauvais and Arthur de Kersauson featuring a bevy of beautiful old Beemers courtesy of Blitz Motorcycles. It’s shot on super 16mm film, and is about “relating the hopes and desires of those who go for a motorcycle road trip.” It’s a feel-good flick that’s very well-edited and super-easy on the eyes with breath-taking scenery and badass bikes. Edwin Denim supported the making of this film, and good for them for not jamming product down our throat, and allowing the film to remain pure. Enjoy.

 

LONG LIVE THE KINGS’ BLOG

BLITZ MOTORCYCLES

20TH CENTURY AVANT-GARDE ICON | TSY STYLE HALL OF FAME JEAN COCTEAU

“An artist cannot speak about his art any more than a plant can discuss horticulture.”

–Jean Cocteau

Jean Cocteau.  Quite possibly the most important art icon of the 20th century, who could seemingly do it all, and with great style– painter, poet, playwright, novelist, actor, film-maker, the list goes on and on. But he was first and foremost a poet at heart– and a truly incredible one at that.

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Stunning photo of Jean Cocteau by Irving Penn.  Damn, the man had style.  Borrowing a page out of The Duke of Windsor’s book– perfectly pairing classic menswear patterns with elegance and ease. “Penn made this portrait of Jean Cocteau during a 1948 trip to Paris for Vogue.  Each thread of Cocteau’s tie, vest, and suit is etched in light and shadow; the patterns and the texture pop out in vivid, tactile detail.  The drape of his coat over an extended arm adds drama and balance to the composition. Cocteau is dressed in the sartorial attire of a dandy, which, by all accounts, he was.  There is an air of flamboyance about him, until you look at his face.  His dead-serious expression registers the fierce intelligence of a keen observer, as if he is taking our measure while deigning to allow us to take his.” –Philip Gefter via

August 1955, France– Picasso with Jean Cocteau at a Bullfight –Image by © Vittoriano Rastelli/Corbis Pablo Picasso and Jean Cocteau knew one another for nearly fifty years. They met in 1915 following Picasso’s departure from martre, where Cocteau’s friend, the poet Max Jacob, had shared an atelier with the painter– one using the only bed by day, and other by night. Picasso made an immediate and lasting impression on Cocteau, who considered him as one of his three masters. via

Jean Cocteau sketching model Elizabeth Gibbons in a Chanel dress in his hotel bedroom (Castille in the Rue Cambon), surrounded by posters of his latest theatrical productions, photos of friends, medicine bottles, books, stage sets and pencils, 1937.  –photo by Roger Schall via

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GOT A LUST FOR LIFE | KIRK DOUGLAS THE ROLE THAT ALMOST CRACKED HIM

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Lust for Life was the film that should have finally won Kirk Douglas the coveted Best Actor Oscar– after having been nominated for the brilliant The Champion (1949), and The Bad and the Beautiful (1952).  He was definitely due for his gripping portrayal of the tortured, complicated Van Gogh, and losing to Yul Brenner in The King and I was an injustice. Douglas was personally devastated by the loss–  “I really thought I had a chance,” he said stoically after losing. It was a blow that gnawed at his soul for years. Lust for Life Director Vincente Minnelli himself stated, “Kirk Douglas achieved a moving and memorable portrait of the artist—a man of massive creative power, triggered by severe emotional stress, the fear and horror of madness. In my opinion, Kirk should have won the Academy Award.”

When you think of method actors, it’s usually Marlon Brando, Monty Clift and James Dean that come to mind– but Kirk Douglas, who’ll never share their misunderstood, hipster mystique, was also known to throw himself into every project.  He would not only dissect his own lines, but everyone else’s, and carefully go through the entire script front to back. It was often said that Kirk Douglas tried to direct every film he was in– he was headstrong and wouldn’t back down from any director. That intensity was also manifested at home, as told by his wife, “When he was doing Lust for Life, he came home in that red beard of Van Gogh’s, wearing those big boots, stomping around the house—it was frightening.”

Filmed largely on location in France, Lust for Life is often noted for its beautiful cinematic use of color to tell the story, which is true– but it is Douglas’ deeply personal acting and eerie likeness to Van Gogh (so much so that while filming on location where Van Gogh had lived, some older inhabitants of Van Gogh’s believed that he had actually returned) that power Lust for Life.  It was said that Douglas got so deep inside Van Gogh’s twisted pain and inner turmoil that it nearly drove him to the brink of madness, and it was very affecting and difficult for him to unwind from the role.

Looking at these still images from Lust for Life crystalize and convey Kirk Douglas’ intensity in a way that even the film can not.  They are absolutely stunning in their composition and emotion.  They slay me.

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France, 1955 — Actor Kirk Douglas portraying the artist Vincent Van Gogh in the film “Lust For Life”. — image by Frank Scherschel

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France, 1955 — Actor Kirk Douglas portraying the artist Vincent Van Gogh in the film “Lust For Life”. — image by Frank Scherschel

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France, 1955 — Actor Kirk Douglas portraying the artist Vincent Van Gogh in the film “Lust For Life”. — image by Frank Scherschel

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CANNES FILM FESTIVAL RETROSPECTIVE THE DAYS OF TRUE MOVIE STAR STYLE

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Movie stars sure ain’t what they used to be.  Who are the new Redfords, Newmans and Brandos of this generation, anyway?  Right.  Is it just me, or is celebrity status a cheap date nowadays that any hack with marginal talent and a flash of skin can get into bed?  Blame the media, society, culture, you name it. Blame us after all, at the end of the day– we’re essentially feeding all of the above.  Yes, it’s a disposable, razor-thin world we’re living in– where all too often, quantity wins over quality, and fast & crass trumps character & class.  Well get me the hell out of here, thank you very much.

I’m a whole lot happier in my little black & white world.  Show me the pretty pictures…

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May, 1972 ~ Robert Redford at the Beach, Cannes, France ~ Image by © Condé Nast Archive/Corbis

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May, 1974  ~ Jack Nicholson Standing in a Pool, Cannes, France ~ Image by © Condé Nast Archive/ Corbis

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1981 ~ Scottish actor Sean Connery sits aboard a private airplane on his way to the Cannes Film Festival. ~ Image by © Richard Melloul/Sygma/CORBIS

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TSY STYLE HALL OF FAME | FRENCHMAN JEAN-PAUL BELMONDO

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JEAN-PAUL BELMONDO

Jean-Paul Belmondo

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Jean-Paul “Bébel” Belmondo, sometimes hailed as France’s answer to Humphrey Bogart or Steve McQueen, took the international film scene by storm in Jean-Luc Godard’s 1960 classic Breathless. Check out a primer of his best films here. Belmondo, the sexy and stylish star of the Nouvelle Vague (the new wave of cult French cinema), worked with leading directors from Louis Malle to Truffaut, and was widely heralded for his comedic and action star talents (he routinely performed his own stunts)– but for some reason, he never really connected with the mainstream American audience.

Jean-Paul Belmondo’s seemingly carefree chic and sensational style were no accident– he had an innate sartorial talent that was light years ahead of his peers, and remains the benchmark for classic French street style.  In fact, he’s easily one of the most legendary style icons of our time– no doubt about it.

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Jean-Paul Belmondo

Jean-Paul Belmondo

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OLD SCHOOL STYLE ON THE SLOPES | JEAN-CLAUDE KILLY

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From the desk of Contributing Editor, Eli M. Getson–

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Circa 1946 — (original caption) Hollywood Stars Ski at Sun Valley.  Active sports are the best things in the world to relax one after a session before the Kleig lights, and these Hollywood stars chose skiing as their sport. Shown on a crest at the famed resort at Sun Valley, Idaho are, left to right: Mrs. Gary Cooper, Jack Hemingway, Ingrid Bergman, Gary Cooper and Clark Gable. Used by the Navy during the war, the resort will be opened to the public in the fall of 1946. — Image by © Bettmann

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With the snowfall upon us (and where I live, it will be falling until late April) it gives me a chance to induldge in my obsession with old school style on the slopes.  I want to be clear that I will not include snowboarding in this post– different sport, different style altogether.  I also want to be clear that this obession of mine is very rooted in the years 1967-1977, when I feel ski style was at its height.  I’ll get many an argument from all the Polo alumni that read TSY that the Sun Valley/Gary Cooper 1930s & ’40s look (above) is the ultimate; and while the snowflake sweaters, melton wool jackets, gentsy trousers (with zippered pockets to keep out the snow), and waffle stompers of that era certainly do have their appeal– I am more fixated with vintage Fila, Bogner, Descente, Addidas (very rare), Rossingnol, and Head.  Courreges did some skiwear in the 1960s for women that is highly prized by vintage heads the world over.  I have combed many a vintage store in Europe looking for an old school graphic Fila or Bogner coat in all its pieced, color blocked, and technicolor splendour so I could work it like a skier on the pro tour, circa 1968.  Who wouldn’t want to rock the, “just hit the mountain in Gstaad, heading to Chamonix, and then off to Aspen to wind down the season” look.

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Circa 1968 — Aspen, Colorado: French skier, Jean Claude Killy manages a smile for his fans after placing 3rd in the Roch Cup men’s downhill event here, March 15th. Killy’s legion of fans can be seen reflected in his sunglasses. — Image by © Bettmann

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Without a doubt, my obsession was fueled by Jean Claude Killy, the King of the slopes and one of the most stylish athletes of all time.  A world champion skier without peer– In 1966–67 Killy won every downhill race he entered, earning the first World Cup for men.  Killy also won the triple crown of Alpine skiing– capturing all three golds medals (downhill, slalom, and giant slalom) at the ’68 Winter Olympics in Grenoble, France .  He was blessed with movie star looks, and came on to the scene when more obscure sports like sking acually got Saturday afternoon airtime, and the Olympics still tended to be a top two sports draw on TV.  Killy had ridiculous style and even more ridiculous skill.  He was, and is, how I want to look on the slopes– slim silhouettes,  graphic colors boldly streaking by on the turn, and geared towards peak performance.   Killy is one of those athletes I will always associate with the epic ABC Wide World of Sports.  I’m not sure how Jim McKay and Howard Cosell did it, but they mythologized athletes, especially international athletes, on the level of jet-setting movie stars.  I miss those dreamy days of my youth.  I miss how the lifestyles of the athletes of old had real class, and were larger than life.  Mostly, I miss their character, and how incredible they looked in competition– and everyday life.  They inspired me then,  and still do to this day.

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August 1971 — French Skier Jean-Claude Killy in Saint-Tropez — Image by © Apis/Sygma

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FUTURISTIC MODERN DESIGN | STANDING THE TEST OF TIME

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Modern Design

Luxurious bath, "Palais Bulles" in Theoule-sur-Mer, France -- Designed by fashion designer Pierre Cardin and architect Antti Lovag, ca. 1970s.

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“Palais Bulles” was an inspired collaboration between fashion designer Pierre Cardin (it was to be his home) and the Finnish architect Antti Lovag.  Nestled in the stunning red rock face, this masterpiece of modern design was built utilizing entirely curved surfaces. The network of anti-seismic, self-sustaining bubbles extend over almost 5,000 square feet, and are dramatically perched 2,000 feet above the beautiful blue Mediterranean Sea.  The views, they say, are absolutely unbelievable.

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“Palais Bulles”, or The Bubble Palace, sits atop a hillside in Theoule-sur-Mer on the French Riviera, overlooking the Mediterranean Sea. The futuristic mansion, comprised of rounded rooms with rotating floors, was designed by Pierre Cardin and architect Antti Lovag in 1968.

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FAST WOMEN IN HISTORY | AUTO RACING’S TOUGH FEMALE PIONEERS

You have to take your hat off for these incredible women of motor racing history.  It flat-out took a lot of balls for these ladies to step onto the track and match their skills, wits & strength against the men of their day– who were macho as all hell, and would have rather left them for roadkill than share the racetrack with the females.  I am truly in awe of them– they have my utmost respect.

FAST LADIES

Violette Morris dressed like a man, smoked 3 packs a day, and regularly cursed a blue streak.

Violette Morris has a story that you couldn’t make up if you tried.  Simply stated, it’s just unbelievable.

Born the niece of French General Gouraud, Violette Morriswas a naturally gifted and strong athlete who excelled at sports.  She was an accomplished boxer who regularly competed against and beat men. Morris also went on to become a cycling champion, later graduating to riding motorcyles and racing cars.  She was so committed to auto racing that she actually had an elective double mastectomy (yes, she had her breasts removed!) so she’d be more comfortable behind the wheeled of the tight-fitting cyclecars she raced back in the 1920s.  Wow.

During WWII when France was occupied by the Nazis in the 40s, Morris joined the Parisian Gestapo and worked with the notoriously brutal “rue Lauriston” interrogation squad.  In 1944, while she was traveling with military colleagues by car from Normandy back to Paris, the French Resistance bombed Morris’ vehicle, killing her along with everyone else.  Yup, she definitely lived life to the full and died with her boots on.

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Fast Ladies

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