The Shining – the layers in this Stanley Kubrick classic are a visual feast for the eyes, full of blatant and sometimes subtle iconography. The sets, scenery, and graphic elements really lock you in. And the multitude of modern mythology & conspiracy theories that have been created by Kubrick fans, history nuts, and film buffs alike are enough to make a movie about that alone– oh wait, it’s called Room 237! (An interesting watch for fans of the film and those wanting to know more about Kubrick– but a lot of it smacks of beautiful coincidences, and some theories seem just too far out to me.)
So, you may have already seen this incredible short film on motorcycle builder Tom Fugle originally shot for Born Free, but there’s a newly added epilogue that’s not to be missed. Tom’s story, succinctly captured by Scott Pommier, has resonated with so many out there that it has become a powerful tribute to a man truly considered to be a living legend.
This is the one event that I seriously regret missing this year!
Dirtquake USA, brought to you by See See Motorcycles & Sideburn Magazine is the self-described “…go fast, turn left celebration made for anyone and everyone with motorcycle unfit for the half-mile Castle Rock Dirt Circle. A spectacle that cannot be unseen, an event that will leave you trembling in anticipation as world class racers compete in four uncommon categories: Inappropriate Road Bike; Street Tracker; Kitchen Sink; and everyone’s favorite Chopper Flat Track.”
Check out the amazing recap film by Ray Gordon’s Throttled Films which somehow captures the spirit of the event that to me feels like the epic The Bad News Bears bike scene on Rocket Fuel. “It sure was a hoot, and I can’t believe we pulled it off! I don’t think a group of people could’ve had more fun. It’s just impossible.” ~ Ray Gordon
(Do not miss the 4:00 mark…)
“After losing his wife (and mother of their 3 boys) in 1958, John Penton went on an absolute tear on the enduro circuit trying to outrun his grief. Family members cared for his boys while Penton dismissed the winter cold and rode off for Daytona on his 175cc NSU motorcycle. Stopping in Atlanta, Penton won the Stone Mountain Enduro, then rode the NSU to Florida winning the Alligator Enduro, and racked up a few more wins across the Midwest– including his first victory at the Jack Pine.
Penton closed out 1958 with a road trip to Mexico. Upon hitting California on the way up the Pacific Coast, he decided it was time to return home to Ohio and did so non-stop– inspiring his brother Ted to challenge him to break the New York to Los Angeles transcontinental record.”
“On June 8th, 1959 John Penton recorded his time and location with Western Union in New York City and set off for California on a BMW R69S outfitted with an oversized gas tank. On June 10th, just Fifty-two hours and eleven minutes later, Penton rolled into Los Angeles. His record was heavily advertised by BMW, and newspapers all over the world covered the record run. Penton was now a legend in motorcycling.” via
But the story of John Penton’s awe-inspiring career does not end there. Find a screening of “Penton: The John Penton Story” near you by going to http://pentonmovie.com/see-the-film/ and reserving your tickets. I’m also proud to announce that the film will be entered in the 2nd Annual Motorcycle Film Festival in Brooklyn, NY held Sept. 24th – 27th.
Do not miss The Motorcycle Film Festival Sept. 24th – 27th at The Gutter in Williamsburg, Brooklyn. It’s going to be a blast! The final due date for all film submissions is July 1st, 2014: www.motorcyclefilmfestival.com/submit-your-film/
This year’s returning judges include: Paul d’Orleans (The Vintagent), JP (The Selvedge Yard), and Stacie B. London (ESMB &Triple Nickel 555 Racing). And we are very excited to announce an all-star roster of new judges: Paul Cox, Roland Sands, Shinya Kimura, Hayden Roberts, Eric Ristua, Peter Starr, Ultan Guilfoyle, Amos Poe, and Chris Logsdon. Find out more here.
In 1952, LIFE magazine assigned photographer Philippe Halsman to shoot Marilyn Monroe in her tiny Hollywood studio apartment. The resulting cover photo (at the end of this post) pushed her over the top, giving her immediate superstar status, and 20th Century Fox jumped to sweeten her existing multi-year contract to keep their starlet happy.
“I drove to the outskirts of Los Angeles where Marilyn lived in a cheap two-room apartment. What impressed me in its shabby living room was the obvious striving for self-improvement. I saw a photograph of Eleanora Duse and a multitude of books that I did not expect to find there, like the works of Dostoyevsky, of Freud, the History of Fabian Socialism, etc. On the floor were two dumbbells.
I took hundreds of pictures. Finally I asked her to stand in the corner of the room. I was facing her with my camera, the LIFE reporter and my assistant at my sides. Marilyn was cornered and she flirted with all three of us. And such was her talent that each one of us felt that if only the other two would leave, something incredible would happen. Her sex-appeal was not a put-on– it was her weapon and her defense.” –Philippe Halsman
“John Waters’ musical ode to the teen rebel genre is infectious and gleefully camp, providing star Johnny Depp with the perfect vehicle in which to lampoon his pin-up image.” –Roger Ebert. Well said. Depp has always deftly embraced ironic roles to deflect the trappings of his undeniable handsome-as-hell looks. 21 Jump Street definitely had the potential to pigeon-hole his career, had he been a lesser actor.
Cry Baby would go on to become a cult classic, due largely to the pouty lipped, chiseled face of a young Johnny Depp in his physical prime, and on a Harley to boot. (They used a Sportster and K model, both red, that they swapped a few times in the film apparently with the thought that it would go mostly unnoticed.) For me the enduring 1950s aesthetic is always a draw, and Waters’ witty one-liners are priceless. And let’s not forget the interest that was stirred up back then by the young and sultry Traci Lords. It was her first non-nude screen role following her controversial (not to mention highly illegal) underage porn career that was still hot on everyone’s tongues and minds.
This little video from Imogene + Willie features Mike Wolfe of American Pickers and Dan Auerbach of The Black Keys on some fine old American Iron. Lucky indeed. Looks like a helluva good time. Enjoy, it ends way too soon.
Scott Toepfer, a guy I’m humbled to call my friend, came to the Jersey Shore to shoot the second annual The Race of the Gentlemen organized by Mel Stultz (OCC) and put on by the legendary Oiler’s Car Club. It’s an event that can only be adequately described by someone who was actually there in the thick of it– and Toepfer was kind enough to share his personal thoughts with TSY on the sights, sounds, and experiences had by a California boy in Wildwood, Jersey. Great stuff, Scott!
*HIPSTER ALERT* Ray Gordon and crew are back at it again! You call this working, Ray? Fucksake. Here’s a little behind-the-scenes film Ray shot with friends from Stetson, Hurst Racing Tires, and a couple of my favorite people in the world– Thor Drake, and Tori George at See See Motor Coffee.
“We went out and had one of the best days of our lives on Parsons Farm on Sauvies Island in Oregon. Yeah, it was a planned shoot but the fun was as authentic as it gets. It wasn’t a job. No money changed hands. Every summer I like to do a big self-promotion shoot. This was me being selfish and cramming all of my likes in one fun day. Incredible day with great friends! Thor & Tori from See See Motorcycles, Cody Adams from Hurst Tires, Kenny Wright from Motogalore, Jimmy 2Bottles, Casey, Meredith, Charity and the Parson brothers, John and Paul who own the farm.”