BROTHER MOTO | A WARM WELCOME FOR ATLANTA’S SOUL OF A MOTORCYCLE CLUB

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“It’s one of those places that you immediately make a note about, reminding yourself that a visit is in order. Among the dizzying amount of photos, rants and new’s updates that come across my phone’s screen daily, Atlanta’s Brother Moto continued to appear more and more. Several weeks back, a petition was circulating the web aimed at helping Brother Moto retain their space in East Atlanta. Apparently the city zoning committee decided to retract their permit claiming this particular moto-establishment was a shop providing ‘repair’, and because East Atlanta only allows 2 ‘repair shops’ under their NC-2 zoning Brother Moto would be forced to shut their doors. A shame really. While there were a few bikes neatly parked away, the atmosphere I encountered the moment I walked into their space couldn’t have been further from the definition of a repair shop.”

–Chris Logsdon

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BUSTY BETTY BROSMER | PINUP PHENOM & 1950’S COVERGIRL QUEEN

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Betty Brosmer was the highest paid supermodel of the 1950s – winning more than 50 beauty contests before the age of 20 yrs old, posing for more than 300 magazine covers, and stunning men and women alike with her insane hourglass figure (38″-18″-36″)! You litereally could not go anywhere without seeing her image in a magazine, on a record album, or store window display. She married the fitness icon Joe Weider in 1961, and joined his fitness lifestyle empire. Together they co-authored several books on bodybuilding, and founded the International Federation of BodyBuilders. Check out this trove of photos of Betty Brosmer in her stunning prime.

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SUNDAY FUNDAY | DEUS EX MACHINA SUNDAY MASS & SPLIT’N LANES & DODGIN’ GUTTERS!

Chris Logsdon (The GodSpeed Co.) shares his thoughts and images of the Deus Ex Machina 2nd Annual NYC Sunday Mass Ride, and the 1st Annual ‘Split’n Lanes & Dodgin Gutters!’ Classic Motorcycle Show–

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New York City. No better city in the world. When it comes to riding there’s so much to love about it and at the same time so much to hate. This past weekend L.A. based Deus Ex Machina held it’s 2nd annual Sunday Mass NYC ride. A ride I missed out on last year, ironically because I was in LA. A ride I sure as hell wasn’t going to miss this year.

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THE ONE MOTORCYCLE SHOW 2014 RECAP | AKA #the1snow #pdxsnowmageddon

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El Solitario’s out-of-this-world custom BMW “Impostor” at The One Motorcycle Show, 2014

The One Motorcycle Show thrown by Thor Drake, Tori George and the rest of the gang at See See Motor Coffee, has become my favorite annual getaway. It’s the good-time, anti-corporate bike show– no crusty convention center, sterile brochures, cheesy models, cookie-cutter exhibits, or plastic smiles. Everyone is having a fucking blast, seeing old friends, meeting new, grabbing a coffee or a beer, and checking out the sea of cool bikes, photography, art, and of course the 21 Helmets exhibit.

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Ornamental Conifer’s handiwork x New Church Moto, Ginger McCabe’s bike
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1966 BARRED OUTLAW MOTORCYCLE MAGAZINE | BRUTAL! FRANK! VIOLENT!

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From the archives of Nostalgia on Wheels comes this lil’ peek at Barred Outlaw Motorcycle magazine– a biker exploitation rag written not for riders, but for voyeurs looking for what makes those bad boys tick. Think of it as a primer for squares on bikers. There’s just enough laughable, inaccurate and hyperbolic writing that when they do actually mention the true 1%’er  MC’s it kinda lacks any sting. Hell, they can’t even get the year right for when The Wild One (the Godfather of all biker exploitation flicks) was filmed… ca. 1960??? What I do love about the magazine is the use of images, the layouts, fonts, etc. It is pure gold for the design-minded among us. It’s kinda refreshing compared to all the stripped-down aesthetic out there right now.

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BARRED OUTLAW MOTORCYCLE SPECIAL– ANGELS FROM HELL! Today’s rebels on wheels, living a legend of violence and excitement. Their love is hate…for everything and everyone– but each other!

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“TAKE NONE GIVE NONE” | A FILM ON THE LEGENDARY CHOSEN FEW MC

CHOSEN FEW MC MOTORCYCLE CLUB

In 1959, the Chosen Few MC officially formed out in LA on the cusp of the chaotic ’60s. As they tell it —“The 60s was a hell of a time. With the Civil Rights Movement, The Viet Nam War, Flower Power & Free Love. Sex, Drugs, and  Rock & Roll. Also the Crazy World of the Outlaw Bikers…When you talk of the Outlaw Bikers you automatically think of ‘Them Crazy White Boys’ doing what a lot of folk wish they could do. Live Life Like You Want & Fuck You And Your Rules. Well Guess What? There was some crazy Black bikers who felt the same way, and didn’t give a Fuck. Thus was born the Black Outlaw Bikers!”

Now there is a documentary film on the Chosen Few to be released that tells their story. Hearing these guys speak about their brotherhood and love of riding in the above trailer gave me chills. If you like what you see, like their page, follow them on twitter, leave a comment on their site— all that social media shit that says YES, GIVE IT TO ME! I WANT TO SEE IT!

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VINTAGE MENSWEAR | A COLLECTION FROM THE VINTAGE SHOWROOM’S BOOK

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I was pretty stoked when Doug Gunn sent me a copy of — Vintage Menswear — A Collection from the Vintage Showroom — as I’ve long been an admirer. Being in the menswear trade myself, London has always been a favorite stop for inspiration, and there’s no better place to be inspired than The Vintage Showroom. The collection is insane and beautifully presented, covering everything from academia, sporting, hunting, motoring, military wear, workwear, denim– it’s no surprise that they are one of the most complete and prestigious vintage dealers in the world. Of special interest to me are all things related to motoring as you see below including vintage leathers, Barbour, Belstaff, etc., and all the great snippets of the history, construction, and function behind the pieces.

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CHAMPION CAR CLUB JACKET, 1950s– “This is a simple, zip-up cotton jacket with fish-eye buttons at the cuffs and a short collar. What it signifies, however, is so much more. The hand-embroidered, chain-stitched imagery on its back places it squarely in the 1950s, at the height of the hot-rodding craze in the US. Hot-rodding was said to have been driven by young men returning from service abroad after World War II who had technical knowledge, time on their hands, and the habit of spending long days in male, if not macho, company. Rebuilding and boosting cars for feats of both spectacle and speed — often 1930s Ford Model Ts, As and Bs, stripped of extraneous parts, engines tuned or replaced, tires beefed up for better traction, and a show-stopping paint job as the final touch — became an issue of social status among hot-rodding’s participants. This status was expressed through clothing too. There were the ‘hot-rodders’ of the 1930s, when car modification for racing across dry lakes in California was more an innovative sport than a subculture, complete with the Southern California Timing Association of 1937 providing ‘official’ sanction. But by the 1950s, hot-rodding was a style too.  decade later it was, as many niche tastes are, commercialized and mainstream, with car design showing hot-rod traits.”  –Vintage Menswear, Douglas Gunn, Roy Luckett& Josh Sims

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SHAWN DICKINSON ILLUSTRATIONS | SOCAL KUSTOM KULTURE KARTOONS

“Ghost Rider” by Shawn Dickinson

A product of SoCal, Shawn Dickinson grew up inspired by the surrounding counterculture of custom Hot Rods, Surfers, and the iconic art that was produced by the legends before him– you see the classic Rat Fink and Tiki influences that, in his hands, are at once timeless and fresh.  He got his chops as a cartoonist for the underground Untamed Highway, which was chock full of 1950’s Kustom Kulture. Dickinson went on to illustrate posters for Rockabilly and garage bands, not to mention numerous comic projects and commissioned works. 

I’m a big fan of the guy’s work.  As he describes it, Dickinson’s creations and medium are a throwback fusion of, “Imagery stylistically inspired by 1930’s cartoons (what I feel was the craziest era for cartoons), mixed with iconic imagery inspired by 1950’s & 1960’s rock n’ roll, cars, bikes, etc. (what I feel was the craziest era for all those things). And I still paint with watercolor and India ink.”  Love it.

Shawn Dickinson featured in Car Kulture DeLuxe Magazine

“Smooth” by Shawn Dickinson

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TEXAS’ OWN “GONE WITH THE WIND” | GEORGE STEVENS’ 1956 EPIC– “GIANT”

Icons James Dean, Elizabeth Taylor and Rock Hudson sharing the silver screen– ‘nuff said? Not quite. While I love the glamour, legend, and lore behind the making of “Giant” (and trust me, we’ll get to that), it rings the social bell– truly ahead of its time, during the largely superficial values of the 1950s.

George Stevens’ 1956 masterpiece “Giant” has been described as– Texas’ own “Gone with the Wind.” Star-studded, sweeping and epic– that bravely chronicles the evolution of the Mexican people from a subservient status to a people worthy of equal rights, respect and dignity through their hard-fought, slow-earned absorption and acceptance in America.  It’s a story about social change and ethnic growing pains that was told on the big screen– before the issue was thrust front-and-center in American living rooms during the civil rights movement.

America has a history of making the path to assimilation and acceptance (in this fine country of ours that I love) a downright bloody one.  Hatred comes from fear–and fear is born of ignorance.  I’ve been down that road myself– most of us have at some point.  Like it or not.  Maybe the melting pot analogy is fitting here– throw it all in, boil out the bones, cook under high heat until palatable, and serve up warm.

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“In the beginning of “Giant,” the rancher Bick Benedict is always correcting his Eastern-bred wife for treatingthe Mexican servants as deserving of respect. By the film’s end, however, Benedict, played by a young Rock Hudson, comes to blows with a cafe owner attempting to remove a Spanish-speaking patron from his restaurant. Above all its themes, “Giant” is about social change. Hollywood for the first time addressed anti-Hispanic racism.‘Giant’ broke ground in the way it celebrated the fusion of Anglo and Hispanic culture in Texas– and anticipated the social gains that Mexican-Americans would make over the next generation. The movie is as much about race as it is about Texas.”

Benjamin Johnson (Author and Historian)

The Reata Ranch House (seen above in the background) in “Giant” is based on a actual Texas mansion– the Victorian era “Waggoner Mansion” that still stands today in Decatur, northwest of Fort Worth, Texas. George Stevens rejected the hacienda architecture of the traditional Texas ranch house (which is how the Benedict place is described in the Ferber novel). Stevens worried that a Spanish-looking house would be alien to non-Texan viewers. via The huge façade (of the Reata Ranch house) was built in Hollywood and shipped to Marfa on flatcars. It was erected in a corner of the Worth Evans ranch, one of the more imposing holdings of the region. And it was a strange sight, its towers visible for many miles, in the middle of the plains. As it was about a half enclosure rather well constructed, Stevens left it to serve the hospitable Mr. Evans as a hay barn. via

1955– Elizabeth Taylor & James Dean in George Stevens’ “Giant.” –Image © Sunset Boulevard/Corbis

“We were working on’Giant’, and we’re out in the middle of Texas. It was a scene that takes place just before Dean discovers oil on his land, where Elizabeth Taylor comes by and he makes tea for her. It’s the first time Dean has ever acted with her. But even though we’re out in the desert in Marfa, there are a thousand people watching us film behind a rope. It’s a scene where Dean has a rifle on his back. He brings her in and makes her tea, and then, suddenly, he stops. And he walks a couple hundred feet away to where these people are watching us, and in front of all of them, he pisses– facing them, with his back to the set. Then he comes back in and does the scene. So, later, we’re driving back to Marfa, and I said, ‘Jimmy, I’ve seen you do a lot of strange things, man, but you really did it today. What was that all about?’ He said, ‘It was Elizabeth Taylor. I can’t get over my farm-boy upbringing. I was so nervous that I couldn’t speak. I had to pee, and I was trying to use that, but it wasn’t working. So I thought that if I could go pee in front of all those people, I would be able to work with her.'”  –costar Dennis Hopper via

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