“THE GREASER GET DOWN” GIVEAWAY | TSY x TRIUMPH & DISASTER FROM DOWN UNDER

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TSY GREASER GET DOWN TRIUMPH AND DISASTER NEW HOPE PA PARTY

The Selvedge Yard is proud to announce a partnership with our New Zealand friends Triumph & Disaster. T&D is known for their top-notch grooming goods, and we’ve recently had the pleasure of getting to know the founder Dion Nash and some of his team. Turns out we have a lot in common– we love a great party, and getting off the grid… So we’ve decided to throw a “Greaser Getdown” party together at our shop in New Hope, PA on July 30th. And get this– the attendee wearing the best Greaser Getup” (think pomade pompadour, leather, denim, etc… 1950s greaser / teddy style) will win a trip for two that they’ll never forget! Bonus points awarded if you happen to also roll-in on a badass bike or Hot Rod! Space is limited for the party so you must RSVP your name and email to attend and have a chance to win to: info@selvedgeyard.com

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TSY recently sat down with Triumph & Disaster founder, Dion Nash, to chat about all things T&D, and announce “THE GREASER GET DOWN” party and trip giveaway happening at The Selvedge Yard shop in New Hope, PA…

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THE RACE OF GENTLEMEN, 2015 | THE PHOTOGRAPHY OF ALLAN GLANFIELD

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The Race of Gentlemen 2015 shined bright in terms of excitement and attendance– even in the shadow of a hurricane threat, and sharing the same weekend with the widely attended Barber Vintage Days motorcycle show. Mel Stultz, Bobby Green, and the team were admittedly short-handed due to the last minute need to push back a week into the off-season, but everything seemingly came-off without a hitch due to the passion, positivity, and perseverance of all involved in putting on what many call The Greatest Race on Earth. Thank you!

Allan Glanfield (one half of The GodSpeed Company and founder of Blackburn and Foster & City Dog Living) generously captured the weekend for The Selvedge Yard — The sea of jaw-dropping hot rods and bikes, and the colorful cast of characters that convened in Wildwood, NJ for the races and to get shit-faced. In that order. Both with gusto. With all the photographers on-hand, the challenge was to balance the must-have shots right in front of your face with pulling away from the pack to find the gems that occur off to the side, caught with a candid eye. Allan more than succeeded, and we are excited to share his captures of TROG weekend.

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All photography in this post: the work and property of Allan Glanfield @blackburnandfoster

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PHOTOGRAPHY OF KARLHEINZ WEINBERGER | THE 1950S ROCKER REBEL YOUTH OF ZURICH

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Karlheinz Weinberger’s photography is often described as, “What happens to white Switzerland when black music is played by a white man, and then radioed across the Atlantic to Europe.” While there are clearly strong homoerotic overtones present and some may judge and decide to look no further… I’m drawn to the strong fashion stance and attitude of rebellion in these kids that is driven by the American music and movie scene of the time (Elvis, James Dean, Gene Vincent, etc.) that they masterfully embraced and evolved into there own subculture, Halbstark or “Half-Strong.” Almost 50 years later, it still inspires.

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ATOMIC MID-CENTURY VINTAGE FESTIVAL | PHOTOGRAPHY OF BASTIAN GLAESSNER

Photographer Bastian Glaessner shot these incredibly cool pics of the UK Atomic Festival described by the organizers as– “…an international line-up of bands & DJs playing in spectacular indoor venues, traditional flag-start drag racing, air displays, jiving, bopping & strolling, an enormous big-top with a 6,000 sq ft dance floor, a pre-1963 car show and drive-in movie, poodles, roller skating… and the best festival atmosphere ever!” Bastian Glaessner atomic-1

“On slight short notice I headed up north last weekend to meet up with a bunch of UK retro heads that got together on an old 30s airstrip outside Northampton to celebrate the annual Atomic bash of serious vintage fair. This mid-century-inspired festival had everything the gentleman drag-strip connoisseur’s heart might desire– a field full of polished pre-’63s metal to draw you in, plenty mean Rock ’n’ Roll fuzz booming from the speakers of the multiple stages, the gravity defying riders of the Demon-Drome of death spinning their 1920s Indians up the 30 foot wall and last but not least a glorious stretch of glaring concrete that just begged the rod riders to be raced!” ~Bastian Glaessner

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“Despite the somewhat grey skies the eclectic mob turned out in style! Bombers, raw jeans, pomaded hair and neat pressed curls as far as the eye could see. From gear-heads to knuckle freaks, young-guns to old-timers, everybody made an effort and rocked up spotting their most stylish attire. It all made for a photographers dream really.” ~Bastian Glaessner

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BILLIE HOLIDAY’S SWEET MISTER THAT CHASED HER DOGGGONE BLUES AWAY

There was a lot of love between Lady Day Billie Holiday and her beloved pooch, Mister. She had other dogs in her lifetime– a Standard Poodle, and pet Chihuahas she bottle fed and whisked around in her pocket– but none as close to her heart as Mister. He was widely thought to be a Boxer, but there are some who disagree saying he was perhaps an American Staffordshire Terrier. One thing is clear, he was a loving and protective companion, and trusted by Holiday above all others– humans included. It’s no wonder these touching photos mean so much to Billie Holiday fans and dog lovers alike. He would chaperone her to the clubs where she performed, and stood watch over her in the backstage dressing room. Billie would sing to Mister, and reward him by cooking him juicy steaks. 100 years after her birth, she is still bedeviling our ears with her sweet, sorrowful tunes and haunting us in pictures. RIP Lady Day, and her sweet Mister.

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Originally included in a 1949 cover story for Ebony magazine, this photograph shows Holiday at home in her Harlem apartment cooking a steak with her beloved boxer, Mister. The article, titled “I’m Cured for Good,” came after numerous incidents with the law due to Holiday’s ongoing struggle with narcotics. This was the first time Leonard had ever met the singer. “On arriving, I was greeted by a woman in an apron and housedress,” recalled Leonard, “whom I initially mistook for the maid, until I realized she was the great Billie Holiday.” –Photographer Herman Leonard via

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Portrait of Billie Holiday and Mister by William Gottlieb at the Downbeat in New York, Feb. 1947

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ELVIS PRESLEY KING OF HOLIDAY ROCK | THE “WHITE CHRISTMAS” COVER CONTROVERSY

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1957 – Elvis Presley poses beside a Christmas tree in his home in Memphis, Tennesee. When Elvis recorded a cover of Irving Berlin’s “White Christmas, it made him livid, and he launched a campaign to have it banned from radio airplay. Berlin despised Elvis, and felt that he was degrading the song, which held a very personal and painful meaning for him, long kept secret.

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BETTIE PAGE QUEEN OF CURVES | BUNNY YEAGER WORLD’S PRETTIEST PHOTOGRAPHER

For me, Bettie Page & Bunny Yeager epitomize iconic American pinup photography. Not just of the 1950s… Ever. In 1954, Bettie Page was working with Irving Klaw in NYC and decided a break was in order, so she headed south to Miami for relaxation and fun in the sun. That’s when fate struck. Bettie met Bunny, and the rest is pinup history. Bettie Page never looked better than in the capable hands of Bunny Yeager (herself a former model) who arguably shot the best and most famous images of the black-banged beauty– like the epic Jungle Girl shoot (shot at the Africa USA safari Park in Boca Raton), and the game-changing image of Bettie posing nude in a Santa cap for Playboy magazine in 1955.

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“When I first saw Bettie in the nude, I was pleasantly surprised; she looked great. She walked into the room on tippy-toes, like she was wearing high heels, which made her look taller and more natural at the same time. The first thing I noticed was that for some reason when she was nude, she did not seem naked. I had never seen anyone with an allover tan and she looked like the perfect doll or mannequin. Bettie was a true nudist and maintained her glorious golden olive color by sunning herself everyday. She would lie on the banks of the miami River. Maybe it was her tan, or maybe it was her attitude– she seemed completely at ease.” –Bunny Yeager, excerpt from Bettie Page, Queen of Curves

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WHEN PLAYBOY INFORMED SEXY DESIGN AND MADE THE BACHELOR PAD A CULTURAL ICON

Debuting in 1953, Hugh Hefner’s Playboy magazine represented the ultimate liberated lifestyle for men of the 1950s, ’60s and beyond. Some called Hef’s imaginative, artistic spreads on architecture & interior design nothing more than self-indulgent, male sexual fantasy cloaked under a flimsy cover of so-called culture. For the man that wanted to be (or fantasized of being) the master of his own hedonistic domain — Playboy was his blueprint. And Hef perfected his own personal blueprint for tapping directly into the wallet of a new consumption-based male ideal that thought (and bought) with their crotch. The Playboy man now sought the aspiration of sleek, modern design that Hugh brilliantly linked with the primal desire of getting laid.

Whatever the angle, it cannot be denied that scores of men were introduced to, and educated on, the finer points of Mid-Century Modern Design and the masters behind the movement that is now an iconic part of our history. And the Bachelor Pad, dripping with sexy, come-hither vibe, an inhibition-busting bar, and the latest modern marvels to dazzle her, was born thanks to Hef — who literally fleshed-it-out and showed us just how good it could look, make you feel, and improve your net worth with the ladies.

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GEORGE SMITH SR. FOUNDER OF S&S CYCLE | TALE OF THE H-D KNUCKLE DRAGSTER “TRAMP”

The story of a young man’s need for speed that would lead to the founding of the legendary S&S Cycle Equipment is chronicled in these amazing archival images on their website. They show founder George Smith Sr. as he builds his Harley-Davidson Knucklehead racer called “TRAMP” that became the testing ground for innovative after-market performance parts that are now the gold standard for the industry– S&S Cycle.  

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1941– George Smith Sr. pictured here at just 19 yrs old on his 80″ Harley-Davidson Knucklehead. He would go on to found S&S Cycle Equipment with Stanley Stankos in 1958. (via)

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