THE SELVEDGE YARD X TRIUMPH & DISASTER GREASER GETDOWN RECAP

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Our new friends at Triumph & Disaster descended upon The Selvedge Yard in New Hope, PA and did exactly what they threatened to do– throw one helluva party with us and giveaway a free trip for 2 to Waiheke Island, New Zealand. TSY was extremely honored that T&D founder himself, Dion Nash (along with Holly Walker & Caz Little), traveled to join-in on the festivities and to meet our crew of incredible supporters, locals & friends.

TSY THE SELVEDGE YARD NEW HOPE TRIUMPH AND DISASTER GREASER GETDOWN

Lovely Linda Missal @citygirlmotorbike (above left) was the winner of our TSY x Triumph & Disaster Greaser Getdown trip giveaway! It came down to 3 awesome finalists, which made for a tough decision. Linda, a member of women’s motorcycle club The Miss-Fires was joined by her boyfriend John James Linsley who was also dressed for the event. The good-looking couple was a one-two punch that sealed the deal– along with the fact that Linda showed true grit by riding her bike in the pouring rain all the way from Brooklyn! Well deserved!

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THE SELVEDGE YARD SHOP X FREE PEOPLE “VINTAGE LOVES” PHOTO SHOOT

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We are stoked and honored that the fine folks at Free People profiled The Selvedge Yard shop in New Hope, PA a few weeks ago. It was a blast working with the creative crew as they highlighted their FP Vintage Loves. Ali, their vintage buyer, has a great eye- and Carrie Yotter is such a gracious soul and wonderful Free People ambassador. Thank you to David & Ginger at America Designs for being our friends and vintage & interior collaborators. Thank you Michael Persico for the amazing photography, and the entire Free People team for making it an awesome day. Click thru to check out his shots…

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ROBERT PLANT’S POOCH & TOLKIEN | THE INSPIRATION BEHIND LED ZEPPELIN’S LYRICS

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Robert Plant of Led Zeppelin and his beloved ‘Strider’, named after J. R. R. Tolkien’s character ‘Aragorn’ from ‘The Lord of the Rings.’ 

Bron-Y-Aur Stomp was penned by Robert Plant and Jimmy Page back in 1970, and named after the tiny cottage in Gwynedd, Wales where the band holed-up after coming off their North American tour. The rustic, old home (with no power or running water) was a welcome escape to refresh the road-worn band and inspired several epic songs for Led Zeppelin III, including Bron-Y-Aur Stomp. “There ain’t no companion like a blue-eyed Merle,” was Robert Plant’s tender, lyrical nod to his sweet lil’ pooch, Strider in this song. Tolkien references can also be heard in a few other Led Zeppelin songs– Ramble On, The Battle of Evermore, and Misty Mountain Hop. 

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LAUREL CANYON DAZE | CSN, JONI MITCHELL, JACKSON BROWNE, MAMA CASS, THE EAGLES

The epic tales of Laurel Canyon’s heyday continues to linger like the warm smell of colitas rising up through the air… It’s here that the SoCal sound was born out of an era of relaxed morals (fucking sex), folks expanding their mental horizons (drugs), and a wave of eclectic misfits coming from all over to launch, reinvent, or escape their musical careers (rock ‘n’ roll) in this sleepy, smoky, winding hippy enclave. And the women, Mama Cass & Joni Mitchell, were the (wise and worldly beyond their years) matriarchs watching over over this peaceful, easy-feeling, community headquartered on Lookout Mountain. Henry Diltz was a friend and photographer to many in the scene those days, and his visual record and memories of these times is priceless.

“When I first came out to L.A. [in 1968], my friend Joel Bernstein found an old book in a flea market that said, ‘Ask anyone in America where the craziest people live and they’ll tell you California. Ask anyone in California where the craziest people live and they’ll say Los Angeles. Ask anyone in Los Angeles where the craziest people live and they’ll tell you Hollywood. Ask anyone in Hollywood where the craziest people live and they’ll say Laurel Canyon. And ask anyone in Laurel Canyon where the craziest people live and they’ll say Lookout Mountain.’ So I bought a house on Lookout Mountain.” —Joni Mitchell

Joni Mitchell home Lookout Mountain Avenue Laurel Canyon 1970 © Henry Dilitz

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ELVIS PRESLEY KING OF HOLIDAY ROCK | THE “WHITE CHRISTMAS” COVER CONTROVERSY

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1957 – Elvis Presley poses beside a Christmas tree in his home in Memphis, Tennesee. When Elvis recorded a cover of Irving Berlin’s “White Christmas, it made him livid, and he launched a campaign to have it banned from radio airplay. Berlin despised Elvis, and felt that he was degrading the song, which held a very personal and painful meaning for him, long kept secret.

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CRY BABY | JOHNNY DEPP IN JOHN WATERS’ ’50S HIGH SCHOOL HELLCATS CULT CLASSIC

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“John Waters’ musical ode to the teen rebel genre is infectious and gleefully camp, providing star Johnny Depp with the perfect vehicle in which to lampoon his pin-up image.” –Roger Ebert. Well said. Depp has always deftly embraced ironic roles to deflect the trappings of his undeniable handsome-as-hell looks. 21 Jump Street definitely had the potential to pigeon-hole his career, had he been a lesser actor.

Cry Baby would go on to become a cult classic, due largely to the pouty lipped, chiseled face of a young Johnny Depp in his physical prime, and on a Harley to boot. (They used a Sportster and K model, both red, that they swapped a few times in the film apparently with the thought that it would go mostly unnoticed.) For me the enduring 1950s aesthetic is always a draw, and Waters’ witty one-liners are priceless. And let’s not forget the interest that was stirred up back then by the young and sultry Traci Lords. It was her first non-nude screen role following her controversial (not to mention highly illegal) underage porn career that was still hot on everyone’s tongues and minds.

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THE NIGHT THE COW CUT-UP THE BUTCHER | CASSIUS CLAY VS. SONNY LISTON, 1964

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“I was a senior in high school. I remember thinking Sonny Liston was the meanest, baddest man on the planet. He was an ex-con, controlled by the mob, and one look at him could shrink a man into a boy. Clay was the glib, smack-talking pretty boy. Most fans predicted his early demise. The fight was talked about for weeks after it was over. I was hooked. Boxing became my favorite sport.” –Jackie Kallen, fight manager

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It was an epic, wierd-ass time for this country. It just was. February, 1964 and just a few months earlier America had seen it’s golden boy, President Kennedy the King of Camelot, shot down in the street like a dog, in broad daylight, in Dallas Goddamn Texas.  The state would feel the impact for decades, as the entire country just could not forgive Texas for letting this happen to the President on their watch. America still had a collective black eye from the tragic loss and desperately needed something to rally around. And boy did we get it– the fight that would change boxing forever. The invincible, stoic champ, Sonny Liston vs. the young, brash showman (AKA the Louisville Lip) Cassius Clay. To add to the pandemonium, The Beatles had landed on our shore at JFK February 7th for their historic, record-breaking performances that would change music forever. I cannot even imagine what it would have been like to be alive during such an epic time in history.

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“The Beatles were royally pissed. They were brought to the beach first for a photo op with the champ. Liston took one look and said, ‘I won’t pose with those sissies.’ So they’re brought to meet Clay instead. I’m at the gym. Clay’s late. The Beatles are cursing. He finally shows up and says, ‘Come on Beatles. Let’s go make some money.’ They strike a pose in the ring where he taps George and the rest go down like dominoes. Clay says, ‘You boys aren’t as stupid as you look.’ John Lennon says, ‘No, but you are.’ Then they go off to their destiny and Ali goes off to his.” –Robert Lipsyte, who covered the fight for the New York Times

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THE EPIC AUSTIN MUSIC HISTORY CHRONICLES | PHOTOGRAPHY & WORDS OF SCOTT NEWTON

Photographer Scott Newton has been an avid observer chronicling the evolution of music, politics, and his own personal life in Austin, Texas, since 1970– from The Armadillo in the early 70s through 35 years of Austin City Limits. If you love the Texas music scene of the 1970s & ’80s, well then friends, this is right up your alley. Scott’s photography is among my favorite ever of this era and of the characters that he brilliantly and intimately captured with his lens… And his personal commentary is icing on the cake. Enjoy.

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“In 1974 Waylon was ornery and mean. He was also vital and real. He wasn’t a nice guy, like Willie… he was raw and direct and just generally pissed off. (he also was never better than 1974) So, on that night in ’74 when I walked to the front of the stage at the Armadillo and saw the other photographers cowering away from the stage I had a choice… cower or shoot. I chose to shoot. Good thing. It turns out he had just kicked the camera of Charlyn Zlotnik and hated photographers. So I shot him glaring at me….which 30 or so years later was exactly what the art director was looking for. Album cover Waylon Live, BMG Heritage. Funny how things sometimes work out…” — Photo © copyright 1974 Scott Newton

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Willie Nelson 1983 Scott Newton photography

“…unseen gem of Willie Nelson from the early ’80s.” — Photo © copyright 1983 Scott Newton

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“Hank Williams Jr’s Tour Bus. Somewhere outside Austin, 1975. A still life of sorts….” — Photo © Copyright 1975 Scott Newton
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