THE SELVEDGE YARD X TRIUMPH & DISASTER GREASER GETDOWN RECAP

TSY THE SELVEDGE YARD TRIUMPH AND DISASTER POMADE GREASER GETDOWN NEW HOPE PA SHOP

Our new friends at Triumph & Disaster descended upon The Selvedge Yard in New Hope, PA and did exactly what they threatened to do– throw one helluva party with us and giveaway a free trip for 2 to Waiheke Island, New Zealand. TSY was extremely honored that T&D founder himself, Dion Nash (along with Holly Walker & Caz Little), traveled to join-in on the festivities and to meet our crew of incredible supporters, locals & friends.

TSY THE SELVEDGE YARD NEW HOPE TRIUMPH AND DISASTER GREASER GETDOWN

Lovely Linda Missal @citygirlmotorbike (above left) was the winner of our TSY x Triumph & Disaster Greaser Getdown trip giveaway! It came down to 3 awesome finalists, which made for a tough decision. Linda, a member of women’s motorcycle club The Miss-Fires was joined by her boyfriend John James Linsley who was also dressed for the event. The good-looking couple was a one-two punch that sealed the deal– along with the fact that Linda showed true grit by riding her bike in the pouring rain all the way from Brooklyn! Well deserved!

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TSY X NICK THE TAILOR COLLABORATION | THE “GREASER MICK” T-SHIRT

TSY THE SELVEDGE YARD GREASER MICK T-SHIRT NICK THE TAILOR FRONT

TSY is proud to present our new “Greaser Mick” collaboration t-shirt with Philadelphia artist / tattooist Nick the Tailor. Inspired by our love of Americana & 1950s greaser culture. Printed in Philadelphia on 100% cotton American Apparel T’s made in the U.S.A.

TSY THE SELVEDGE YARD GREASER MICK T-SHIRT NICK THE TAILOR BACK

The Selvedge Yard x Nick the Tailor collaboration T-shirt featuring original “Greaser Mick” art on front, and The Selvedge Yard logo on back. Available in our New Hope, PA shop and in our online shop here: 

VINTAGE RACING AT PENDINE SANDS | PHOTOGRAPHY OF BASTIAN GLAESSNER

Photographer Bastian Glaessner shot these incredibly cool pics of vintage hot rod racing at the legendary Pendine Sands. His eye and unique style has created a strong signature that feels rich and nostalgic. The images are so stunning, I could stare at these all day…

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“I was super chuffed when Neil Fretwell of the VHRA recently invited me up to the rugged Welsh headland that holds the infamous ‘Pendine Sands’ for a weekend of vintage racing. Since the early 1920s cars have pelted down this 7-mile stretch of fine golden grains to chase automotive speed records. On this early July weekend a mad crowd of hot rod racers from all over Europe had assembled their beasts at this historic spot. By the time I got there Friday after dark, the field around the Museum of Speed was brimming with glorious pre-1949 rods, glistening in the moonlight, begging to be let loose on the endless stretch of tidal sands below.” ~Bastian Glaessner

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“Come Saturday morning and first the Welsh weather gods got their own. Heavy winds and some blistering downpours overnight meant racers had to be patient a little while longer whilst the team of helping hands were busy getting the course up and running. Once the fences were up, the 110 yard timing section established and the mile long track cleared of stranded giant jellyfish, the show got underway. As if on cue the sun popped out from behind the clouds, crowds gathered on the beach and with a mighty “ROOOAR…” our cars rolled out onto the sands to line up in the pits. What an exciting display of vintage sheet metal that was!” ~Bastian Glaessner

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THE NYC DISTINGUISHED GENTLEMAN’S RIDE

A DARK DAY FOR NEW YORK CITY | Story Chris Logsdon | Photographer Jason Goodrich

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2014 NYC Distinguished Gentleman’s Ride | Photo by Jason Goodrich @thejasongoodrich

A quiet Sunday morning on Greenwich Street in New York’s West Village is rudely awakened by the roaring sounds of the two-wheeled kind. It’s another sunny September day in 2013 as a large group of enthusiasts, dressed to the nines, don their motorcycles and set out to raise awareness for men’s prostate cancer. This is the Distinguished Gentleman’s Ride.

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THE BOLD AND THE BEAUTIFUL | PHOTOGRAPHY & FILMS FOR FLAUNT MAGAZINE BY SCOTT POMMIER

“Style is one of those things that’s nearly impossible to define and even harder to quantify, but when you see someone with style nothing could be more obvious. These photographs and films were shot for FLAUNT magazine’s denim issue. I was looking to shoot a fashion story that had some movement, because to me style is about so much more than how you accessorize, it’s about how you move and how you carry yourself.

A while back I saw some shaky footage of some gals trick-riding at a rodeo and was really captivated by it. It was beautiful, strange, athletic and dangerous. That’s a pretty good starting point for interesting pictures, so earlier this year a small crew of us travelled to the Riata Ranch which is at the base of the Sierras in a small town called Three Rivers. There we shot some of the best trick riders on the planet dressed in an eclectic mix of denim, bondage gear, shearling, fur and leather. Thanks to everyone who helped out, the Riata Ranch Cowboy Girls and Flaunt.” 

-Scott Pommier

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THE LEATHER BOYS, 1964 | THE ACE CAFE, LOVE TRIANGLE, MOTORCYCLES, MORRISSEY & MORE

It was great being a part of 1st Annual NYC Motorcycle Film Festival in Brooklyn last week. Lots of great films and filmmakers were exposed to fresh eyes hungry for inspiring motorcycle art, culture, and history on the screen. An interesting after-film Q & A brought up a seminal motorcycle film of the 1960s, “The Leather Boys”, not just necessarily for the striking “Ton-Up Boys” and bikes– actually more for it’s place in history for being the first British film to be rated ‘X’ for having homosexual themes than actual nudity of a graphic nature,  per se.

I was first exposed to “The Leather Boys” as a teenage fan of The Smiths (it was a very influential and transforming film for Morrissey, and many young gay men in England). Clips and images of the film and it’s stars were used in The Smiths’ video “Girlfriend in a Coma” and their single, “William, It Was Really Nothing.” In a 1988 NME interview at the Cadogan Hotel (where Oscar Wilde was arrested), Morrissey even said, “I’m almost quite speechless now, it’s a very historic place and obviously it means a great deal to me… to be sitting here staring at Oscar’s television and the very video that Oscar watched “The Leather Boys on.” (The ‘Oscar’s television’ comment, obviously an impossibility, is Moz being snarky and insulting the intelligence of the NME  reporter…) Hearing “The Leather Boys” being referenced all these years later by filmmaker Eric Tretbar (Girl Meets Bike), and Paul d’Orleans of The Vintagent made me want to take a closer look at the historical influence of “The Leather Boys”, of which there is several layers.

THE LEATHER BOYS MOVIE FILM 1964

Rita Tushingham and Colin Campbell in the iconic British film, “The Leather Boys”, 1964.

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FRANCE’S FAIREST EXPORT– FRANCOISE HARDY | IMMORTAL BELOVED STYLE & MUSIC MUSE

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Francoise Hardy on the ‘Grand Prix’ set seen wearing co-star James Garner’s helmet, 1966.

Francoise Hardy was a wistful breath of fresh air during the sex, drugs & rock ‘n’ roll of the 1960s. Mysterious, sweetly naive, and utterly desirable. She was adored by Bob Dylan, Nick Drake, Mick Jagger, David Bowie, and more. The incredible enduring images of Hardy, particularly those by famed photographer Jean-Marie Perier (who shot her donned in Dior, Yves Saint Laurent, Andre Courréges, and Paco Rabanne), made her an instant and timeless style icon. With her faraway gaze and lazy smile, Francoise Hardy is like a melancholy dream that you simply don’t want to wake up from. Her unease with fame and adoration is at times clearly evident in her photos– serving only to make her even more alluring.

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ZIGGY STARDUST | YOU’RE JUST A GIRL… WHAT DO YOU KNOW ABOUT MAKEUP?

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Brian Duffy photograph of David Bowie for the Aladdin Sane album cover, 1973. “Bowie’s sixth studio album marked the birth of the ‘schizophrenic’ character Aladdin Sane who was a development of the space-age Japanese-influenced Ziggy Stardust. To create the compelling album cover image, Bowie collaborated with photographer Brian Duffy and make-up artist Pierre Laroche. The result was one of the most recognizable images in popular culture– a ‘lightning flash’ design which has been reproduced in multiple forms world-wide.” via

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Look, there are those that revere Bowie as an ahead-of-his-time visionary who revolutionized Rock ‘n’ Roll. And there are those who see him very black & white, as a plodding opportunist who coldly studied what was happening around him (heavily borrowing from  true innovators at the time like Marc Bolan), and then expertly went about merchandising himself for mass commercial consumption. Both are fucking true. Bowie is an epic genius who learned through years of toil, trial, and error how to create a magical out-of-this-world persona and artistically sell it to us on a silver platter. No one has done it better in recent memory, and it’s unlikely that anyone in our lifetime will top him. Period. End of story.

There’s an incredible account by Glenn O’Brien in the recent issue of Out Magazine. Gay or straight, get over it, go buy it, and devour the entire spread on David Bowie. It is brilliant. You can read a chunk of it here after the jump. Now go– oh, you pretty things.

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“David Bowie (AKA Ziggy Stardust) wearing a sensational creation by Kansai Yamamoto. Born in Yokohama in 1944, the Japanese fashion designer was only 27 when he held his first international fashion show in London in 1971. The Japanese division of RCA records made MainMan aware of Yamamoto’s work and Bowie purchased the “woodlands animal costume” from Kansai’s London boutique– which he wore at the Rainbow Concert in August 1972 and which was later remade by Natasha Korniloff. Bowie subsequently viewed a video of a rock/fashion show that Kansai had staged in Japan the previous year and reportedly loved the costumes which were a combination of modern sci-fi and classical Kabuki theatre. Kansai and Bowie met in New York where he gifted Bowie two costumes during the 2nd US Tour. Kansai was then commissioned to create nine more costumes based on traditional Japanese Noh dramas for Bowie to pick up in Tokyo in April 1973. These were the flamboyant androgynous Ziggy Stardust costumes Bowie wore on the 3rd UK tour in 1973.” via The Ziggy Stardust Companion –photo by Masayoshi Sukita, the David Bowie archive

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David Bowie as Ziggy Stardust –photo by Mick Rock via

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WILD AT HEART– VOGUE 1991 | THE EPIC PHOTOGRAPHY OF PETER LINDBERGH

In 1991, photographer Peter Lindbergh shot the elite eight of the world’s sexiest Supermodels in Brooklyn, NY for the September 1991 issue of American Vogue– Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder, and Stephanie Seymour. The shoot titled “Wild at Heart” was styled by Grace Coddington, featuring looks that were a hi-lo mix of Chanel meets Schott– and we in the fashion world have never been the same since. This iconic editorial spread continues to inspire and awe to this day– over 20 years+ later. The Brit bikes featured throughout really make this work– several Triumphs, and I think I even spied a BSA in there as well!

The 1990s was the decade of the Supermodel– Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder, and Stephanie Seymour. This shot was titled “The Wild Ones” with the original selling at auction a few years ago for close to $35,000 –Image by © Peter Lindbergh

Supermodel Helena Christensen channeling “The Wild One” and striking a very Marlon Brando-esque pose in her Erez leather jacket and Harley-Davidson leather biker cap –Image by © Peter Lindbergh

Marlon Brando as Johnny in the Iconic motorcycle film “The Wild One” which simultaneously thrust biking forward into the limelight in terms of popularity and style, while setting it back in terms of stereotypes and the court of public opinion. Marlon Brando rode his own 1950 Thunderbird in the film– a big boost for Triumph motorcycles. You can read more about that here.

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