From the desk of Contributing Editor, Eli M. Getson–
Our Grandparent’s generation got it right, man– the fully loaded, properly-appointed basement bar. via here
Like a lot of us affected by the ongoing economic instability, I’ve had to tighten the purse strings a bit lately. Simply put– I’m spending more time at home, and less dough on going out. That said, my penchant for enjoying a stiff drink with friends has inspired me to bring back something my Grandparent’s generation held sacred and all had– the basement bar. Let us be clear before anyone reads on– this is not about having an additional fridge stocked with Corona you bought from Costco, a jumbo bag of chips, and a few crappy bean bags that reek of stale beer from your frat house days. That’s the JV approach, and not an atmosphere where anyone serious about drinking and socializing wants to hang. In short– it is not a bar.
Can I pour you a tall, stiff one? Does anyone wear a tie at home anymore, let alone in their basement? Circa 1965– via here
The home bar craze started post WWII, as more Americans realized the dream of home ownership (late 1940’s to early 1970’s being my unofficial Golden Years). As families migrated more and more to the suburbs, they found themselves enjoying entertaining at home. Probably because as first-time home owners, they truly busted their asses to get into a house– saving every nickel (they’d never even consider defaulting on a mortgage), and when they finally settled on their dream house, they were truly proud of it, and wanted to show it off to friends and family alike. Also restaurants and bars were still largely urban back then. It would be many years before the suburbs were teaming with every silly “TGI– what is that ridiculous friggin’ costume” restaurant/bar franchise. The other great thing back then– the “politically correct” culture of today was not around to stop grownups from socializing– sans kids. Back in the day, entertaining the children was what the TV upstairs was made for. With the kiddies safely locked away watching Rawhide, the adults were free to to enjoy top-shelf spirits, Chesterfield smoky treats, and boozy, adult conversation in the privacy of their own homes– truly paradise on earth.
Circa 1949– Glamour gal, Eileen Howe, having a drink on New Year’s Eve in Samuel Spiegel’s home bar. Photo by Peter Stackpole for LIFE magazine.
Rick Griffin’s Iconic Surf and Rock Art Lives on with CALIFORNIA LOCOS Skateboards, Apparel, and Accessories
A limited collection of CALIFORNIA LOCOS x Rick Griffin numbered skateboards and accessories launches today 12/12/2022 at 11 a.m. PST. Curated by Creative Director Nano Nóbrega, this collection features high-performance street, retro, and cruiser skateboards, t-shirts, and surf ponchos. The skateboards are sold as completes or single decks. The single decks are treated as collectible pieces of art. With only 150 units produced of each style, these boards come with custom artist boxes, wall mount hangers by SK8OLOGY, and a certificate of authenticity signed by CALIFORNIA LOCOS Founder Dave Tourjé, Griffin’s wife, Ida Griffin, and Creative Director Nano Nóbrega. Legendary artist Rick Griffin profoundly influenced the parallel worlds of surf and rock impacting everything from graffiti to graphics to fine art. Griffin is considered an “Original Loco” and a true SoCal archetype. CALIFORNIA LOCOS is proud to present the Rick Griffin collection as a tribute to one of SoCal’s greatest.
Due to the volume of requests we have received since its initial release in late 2020, we are stoked to announce the launch of a NEW DESIGN of Nowhere Fast’s Best-Selling T-shirt ~ DEATH PEGASUS! There’s a dark, gothic nod to this new design with its batwing vibes that feel spooky and right on to us. Oh, and there are now cool DEATH PEGASUS 7″ X 5.5″ sets of opposing decals in our shop too!
According to William Goldman, when he first wrote the script and sent it out for consideration, only one studio wanted to buy it, and that was with the proviso that the two lead characters did not flee to South America. When Goldman protested that that was what had happened, the studio head responded, “I don’t give a shit. All I know is John Wayne don’t run away.” Goldman rewrote the script, “didn’t change it more than a few pages, and subsequently found that every studio wanted it.”
William Goldman said that many young people saw the super posse in ‘Butch Cassidy and the Sundance Kid,’ as a metaphor for the government and authority during the years of anti-war protests. He said his students said the similarity lay in the relentlessness by which both “would hunt you down.”
In 2019 Julien’s Auctions organized a ‘Grease’ auction. Among the 500 items offered-up for auction were the hot black leather jacket, and skin tight leather pants worn by ‘Sandy,’ in the legendary finale scene. Much of the proceeds were donated to the Olivia Newton-JohnCancer Research Institute, created by the actress herself as she has battled breast cancer since 1992. The total sale of those two pieces alone fetched $405,700 dollars, or about 360,000 euros. Spanx founder Sara Blakely bought the pants.