JIMI HENDRIX HAWAIIAN HAZE | DUNE BUGGY RIDE OVER THE RAINBOW BRIDGE TO THE AFTERLIFE

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In 1970 Jimi Hendrix was sent off to Hawaii to film a movie called “Rainbow Bridge.” His entourage rented a Bushwhacker dune buggy that was over-the-top. It was customized with a metal-flake paint job overlaid with pin-striping, and a loud floral-printed rag top and interior. The crew unbolted the top and Hendrix would flip himself around on the roll bar like a gymnast. Barry Hilton had about 50 customized Bushwhackers at his hotel painted light blue & Gold with big rainbow stickers on the top and sides that were used used in the movie– making the Bushwhacker dune buggy an icon of the psychedelic era.

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TROG– THE RACE OF GENTLEMEN, 2018 | WORDS AND PHOTOGRAPHY BY BRYAN HELM

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Everyone thought Hollywood was showing his pride and paying tribute to the Oilers club– “Kinda funny story about this pic… Someone yelled out to me that a flag flew out of a car and was in the middle of the track. As usual I wasn’t paying attention to the races. I rode out, grabbed it and held it up so it wouldn’t flap around and hit me in the face– had no idea it was an Oilers’ flag until I got to the finish line to return it!” ~Hollywood AKA @knucklebuster1939 of the Oilers CC / MC. Photo (c) by Bryan helm

BHELM@BRYANHELM.COM

Moon Equipment Co. Transporter– 1938 Ford COE, originally an old Coca Cola truck, yellow was their color before red said Mel Stultz himself! — TRoG, The Race of Gentlemen 2018– Photography (c) by Bryan Helm

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DAN DAUGHENBAUGH | PENNSYLVANIA MAKERS– BY RAYMOND C SCHWAB 4

TSY is Pennsylvania-based and thus very proud to present a brand new series of posts– PA MAKERS written and photographed by Raymond C Schwab IV. We are grateful Ray is kind enough to share these with us.

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DAN DAUGHENBAUGH PA MAKERS

Picture this: A bike shop burns to the ground in Philadelphia. There’s a fire sale a couple days later. There you see a burnt up 1951 BSA Star Twin motor up for grabs and you think “There’s my land speed racing motor!”

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TSY x DHAAS “SPOOKY 1” COLLAB T’s + NEW TSY JEWELRY COLLECTION!

TSY is proud to introduce our latest collaboration with Devyn Haas– Spooky 1! Now available in the TSY Shop and online– SHOP “SPOOKY 1” T-shirts

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TSY “SPOOKY 1” Long-sleeve Blk & White Raglan T-shirt, 100% cotton. $36  SHOP NOW

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TSY “SPOOKY 1” Short-sleeve Metal Grey T-shirt, 100% cotton. $32  SHOP NOW

TSY THE SELVEDGE YARD JEWELRY INDIAN HEAD NICKEL PENNY VINTAGE NECKLACECheckout the TSY Jewelry Collection — necklaces rooted in Americana.  SHOP NOW

GUNS N’ ROSES MELTDOWN | SLASH’S BODY-SNATCHER OVERDOSE THAT BROKE UP THE BAND

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Tom Zutaut (who signed Guns N’ Roses) on Slash’s heroin OD, where he died and was brought back to life, that freaked the shit out of Axl Rose… “They found him dead near an elevator in a hotel somewhere. I don’t know how long it took for the ambulance to come but he was blue for a long time, but they got him back.

I think Axl genuinely believes that the soul of Saul Hudson left his body when Slash OD’d and there is a replacement Saul that has taken over Slash’s body and Axl truly does believe that. And I think that has been the greatest stumbling block in getting the band back together. Whoever is in Saul’s body right now, it seems like Slash to me.”

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McQUEEN’S BULLITT MUSTANG FOUND | IT WAS A JERSEY WIFE’S DAILY DRIVER…

It’s absolutely crazy to think that the same 1968 Mustang GT Fastback driven in Bullitt by Steve McQueen himself, would end up in the hand’s of an unassuming New Jersey housewife… But that’s exactly what happened.

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“After Bullitt wrapped, the hero car was sold to a studio executive in Los Angeles, who kept it briefly before selling it, coincidentally, to a police detective. The officer shipped the car to New York and kept it for about three and a half years before placing a for-sale ad in the back of Road & Track magazine in 1974. His $6,000 asking price was somewhat steep, but Robert Kiernan, a New Jersey insurance executive and Mustang fan, went out to look at it. He bought it for his wife to use as a daily driver.” –Vanity Fair

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The original 1968 Mustang GT Fastback from Bullitt in Sean Kiernan’s secret barn in Nashville. Inset, the letter from Steve McQueen to Robert Kiernan, dated 1977. (via Vanity Fair) Courtesy of Ford/Historic Vehicle Association.

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“WHEN PUSH COMES TO SHOVE ” | COX’S CUSTOM CHOPPER FIT FOR BRAD PITT

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“When Push Comes to Shove” black & gold custom chopper built for Brad Pitt by Indian Larry Legacy (Paul Cox & Keino Sasaki), paint by Vince Szarek, and amazingly intricate engraving work by Tarrera.

“I try to carve out time for a solo ride in every country I travel to, from the Highlands of Scotland to the Atlas Mountains of Morocco to the belly of India. I haven’t even come close to fulfilling my list—yet. . . . But in the traffic of L.A. with a helmet on, I’m just another asshole on the road.” –Brad Pitt (Photograph by Mark Seliger for DETAILS magazine at Humboldt Redwoods State Park to promote the film Fury, 2014.) VIA

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ALICE DENHAM | SLEEPING WITH BAD BOYS IN NYC’S 1950s BOHEMIAN DAYS

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Alice Denham — writer, Playboy centerfold, film actress who left a vivid chronicle of her literary and sexual adventures in her 2006 memoir, “Sleeping With Bad Boys: A Juicy Tell-All of Literary New York in the Fifties and Sixties.” 

“Manhattan was a river of men flowing past my door, and when I was thirsty, I drank.”

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Ms. Denham came to New York in the early 1950s, fresh from the University of Rochester, with two things on her mind: literary fame and romance. The city held forth the promise of both, in abundance. “New York in the fifties was like Paris in the twenties.” 

A stunning beauty with a talent for repartee, she made her way easily into Manhattan’s literary salons, and her presence did not pass unnoticed by a long list of editors, publishers, film producers, actors and writers — most of whom made a play for her, quite a few successfully.

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Her conquests, she said, included the actor James Dean, a close friend until he fell hard for the Italian actress Pier Angeli; the authors James Jones, William Gaddis, Evan S. Connell and Philip Roth; and Hugh Hefner, whom she had persuaded, in a clever gambit, to feature her as a centerfold and reprint, as part of the package, her first published short story.

“Of course he was no egalitarian,” Ms. Denham wrote. “But he possessed one of the finer male characteristics I was aware of: He liked my writing.”

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