PHOTOGRAPHY OF HENRY HORENSTEIN AN AMERICAN ARCHIVE — HONKY TONK

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Jesus, take the wheel– Country music has done run itself off into a ditch.

The hollow Country/Pop crossover stars of today are more L.A. than Nashville.  They make Garth Brooks look like Hank Williams.  Video killed the AM radio star.  Henry Horenstein’s Portraits of Country Music 1972-1981 is a hugely inspiring photographic archive that perfectly captures the days when Country was C-O-U-N-T-R-Y.  The artists talked the talk, and walked the walk.  They had personality, talent, were characters, and yes– could be a bit corny as well.  But in retrospect, that too is part of the charm and allure. So take a spin.  Each brilliant Horenstein capture is better than the last, and makes me pine for simpler times– not to mention an icy cold can of Schlitz.

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15 July 1972, Billerica, MA — Don Stover was a bluegrass banjo picker from White Oak, West Virginia. He came to Boston in 1952 with the Lilly Brothers from nearby Beckley and they played together for over eighteen years at Boston’s Hillbilly Ranch. Stover had great influence on a generation of important young banjo pickers. He influenced Bill Keith who introduced chromatic scales to bluegrass as a member of Bill Monroe’s band and Bela Fleck, a bluegrass and jazz-fusion star. — Image by © Henry Horenstein/Corbis

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1972, Boston, MA — Porter Wagoner Sitting on a Piano Playing Guitar (nice Nudie suit Porter) — Image by © Henry Horenstein /Corbis

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15 July 1978, Boston, MA — Lilly Brothers reunion show at the Hillbilly Ranch. The term “Honky Tonk” strictly refers to the type of bar that became popular after prohibition ended in the mid 1930′s. These bars were a little seedy and usually located on the outskirts of town. Honky tonks were a haven where a band could learn and hone its skills. — Image by © Henry Horenstein/Corbis

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